HOW YOU HAVE FALLEN FROM EVEN O LUCIFER BRIGHT SON OF THE MORNING
THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Midway this way of life we're bound upon
I woke to find myself in a dark wood,
Where the right road was wholly lost and gone."
M |
= |
4 |
- |
6 |
MIDWAY |
75 |
30 |
3 |
T |
= |
2 |
- |
4 |
THIS |
56 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAY |
49 |
13 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
W |
= |
5 |
- |
4 |
WE'RE |
51 |
24 |
6 |
B |
= |
2 |
- |
5 |
BOUND |
56 |
20 |
2 |
U |
= |
3 |
- |
4 |
UPON |
66 |
21 |
3 |
- |
- |
30 |
- |
32 |
- |
406 |
163 |
28 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
W |
= |
5 |
- |
4 |
WOKE |
54 |
18 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
F |
= |
6 |
- |
4 |
FIND |
33 |
24 |
6 |
M |
= |
4 |
- |
6 |
MYSELF |
80 |
26 |
8 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
D |
= |
4 |
- |
4 |
DARK |
34 |
16 |
7 |
W |
= |
5 |
- |
4 |
WOOD |
57 |
21 |
3 |
- |
- |
45 |
- |
28 |
- |
326 |
137 |
56 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
W |
= |
5 |
- |
5 |
WHERE |
59 |
32 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
R |
= |
9 |
- |
5 |
RIGHT |
62 |
35 |
8 |
R |
= |
9 |
- |
4 |
ROAD |
38 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAS |
43 |
7 |
7 |
W |
= |
5 |
- |
6 |
WHOLLY |
95 |
32 |
5 |
L |
= |
3 |
- |
4 |
LOST |
66 |
12 |
3 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
G |
= |
7 |
- |
4 |
GONE |
41 |
23 |
5 |
- |
- |
46 |
- |
37 |
- |
456 |
186 |
42 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
121 |
- |
97 |
First Total |
|
|
|
- |
- |
1+2+1 |
- |
9+7 |
Add to Reduce |
1+1+8+8 |
4+8+6 |
1+2+6 |
Q |
- |
4 |
|
16 |
Second Total |
|
|
|
- |
- |
- |
|
1+6 |
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
4 |
- |
|
Essence of Number |
|
|
9 |
THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Power failed high fantasy here; yet, swift to move
Even as a wheel moves equal, free from jars,
Already my heart and will were wheeled by love,
The Love that moves the sun and other stars."
LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
WORK DAYS OF GOD
Herbert W Morris D.D.circa 1883
Page 22
"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."
A |
B |
C |
D |
E |
F |
G |
H |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
S |
T |
U |
V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
= |
9 |
= |
9 |
= |
9 |
= |
9 |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
"BY WRITING THE 26 LETTERS OF THE
ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
A
HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
Page 250
"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal connotations of words."
THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
First Total |
|
|
|
1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
9 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THEIR FALL
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
"The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 /
universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time"
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as
we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
- |
|
- |
- |
- |
|
THE |
33 |
15 |
|
|
RAINBOW |
82 |
37 |
|
|
LIGHT |
56 |
29 |
|
|
|
|
|
|
1+5 |
|
1+7+1 |
8+1 |
- |
|
|
|
|
|
15 |
THE RAINBOW LIGHT |
- |
|
- |
|
THE |
33 |
15 |
|
|
R |
18 |
9 |
|
|
A |
1 |
1 |
|
|
I |
9 |
9 |
|
|
N+B+O+W |
54 |
18 |
|
|
L |
12 |
3 |
|
|
I |
9 |
9 |
|
|
G+H+T |
35 |
17 |
|
15 |
THE RAINBOW LIGHT |
171 |
81 |
54 |
1+5 |
|
1+7+1 |
8+1 |
5+4 |
6 |
THE RAINBOW LIGHT |
9 |
9 |
9 |
THE LIGHT IS RISING RISING IS THE LIGHT
A
MAZE
IN
ZAZAZA ENTER AZAZAZ
AZAZAZAZAZAZAZZAZAZAZAZAZAZA
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
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|
R |
|
|
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|
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|
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|
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8 |
9 |
|
|
|
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5 |
6 |
|
|
|
1 |
|
|
|
|
6 |
|
8 |
+ |
= |
|
4+3 |
= |
|
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|
|
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|
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|
|
|
8 |
9 |
|
|
|
|
14 |
15 |
|
|
|
19 |
|
|
|
|
24 |
|
26 |
+ |
= |
|
1+1+5 |
= |
|
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|
|
26 |
|
|
|
|
|
|
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
1 |
2 |
3 |
4 |
|
|
7 |
8 |
9 |
|
2 |
3 |
4 |
5 |
|
7 |
|
+ |
= |
|
8+3 |
= |
|
1+1 |
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
10 |
11 |
12 |
13 |
|
|
16 |
17 |
18 |
|
20 |
21 |
22 |
23 |
|
25 |
|
+ |
= |
|
2+3+6 |
= |
|
1+1 |
|
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26 |
|
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
|
1+2+6 |
= |
|
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|
|
26 |
|
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R |
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1 |
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1 |
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1 |
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+ |
= |
|
occurs |
x |
3 |
= |
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2 |
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2 |
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2 |
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+ |
= |
|
occurs |
x |
3 |
= |
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3 |
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3 |
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3 |
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+ |
= |
|
occurs |
x |
3 |
= |
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4 |
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4 |
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4 |
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+ |
= |
|
occurs |
x |
3 |
= |
|
1+2 |
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5 |
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5 |
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5 |
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+ |
= |
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occurs |
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3 |
= |
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1+5 |
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6 |
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6 |
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6 |
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+ |
= |
|
occurs |
x |
3 |
= |
|
1+8 |
|
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THE DEATH OF GODS IN ANCIENT EGYPT
Jane B. Sellars 1992
Page 204
"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:
Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10
Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.
Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.
The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.
A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the /Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)
If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.
This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.
Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.
But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a
trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he
gave figures of 45" to 46" a year, while the truer precessional
lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less
than the figure of 25,920.
With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, Incorrect by a difference of from 2,397.9 years to 3,024.
Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'
AN IMPORTANT POSTSCRIPT
Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.
Page 206
Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12
This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.
Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.
Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe
was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.
Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13
Page 207
"...Feniusa Farsa, Graves equates this hero with Dionysus Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials
We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14
Graves did not know why this number was necessary, but he points
out that he understands Frazer's Golden Bough to be a a book hinting
that 'the secret involves the truth that the Christian
dogma, and rituals, are the refinement of a great body of
primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15
Frances A. Yates, historian of Renaissance hermetisma tells, us
the cabala had 72 angels through which the sephiroth (the powers
of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident
there are seventy-two of Pico's Cabalist conclusions, for the
conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16
In Hamlet's Mill de Santillarta adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss
(60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)
Thee Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted
mounted in Genesis for the lifetimes of patriarchs from
the Flood also contained the needed secret numbers. (He showed that in the 1,656.years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.)
In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, .multiply this by 2 and again we have.the necessary 432 digits.
Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as.- the interest-
ing number of AD.432.18
Whatever one may think-of some of these number coincidences, it becomes. difficult to escape the suspicion that many signs (number and otherwise) -indicate that early man observed the results.. of the movement of Precession . and that the-.transmission of this information was .considered of prime importance.
'With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would
have constituted the construction-of a 'Unified Field Theory' for nothing .less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.
But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced.,that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':
"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two,four.Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radiusekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the
strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up. his piece of striped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.
So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
WE ARE THE DEAD SHORT TIME AGO WE LIVED FELT DAWN SAW SUNSET GLOW AND NOW
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I
SAY
THREAD THAT THREAD
THREAD READ DEATH DEATH READ THREAD
THREAD R DEATH DEATH R THREAD
THREAD DEAR READ THREAD
I
ME
ENTANGLEMENTS
Quantum entanglement is a quantum mechanical phenomenon in which the quantum states of two or more objects have to be described with reference to each other ...en.wikipedia.org/wiki/Quantum_entanglement
Quantum entanglement
Quantum entanglement is a quantum mechanical phenomenon in which the quantum states of two or more objects have to be described with reference to each other, even though the individual objects may be spatially separated. This leads to correlations between observable physical properties of the systems. For example, it is possible to prepare two particles in a single quantum state such that when one is observed to be spin-up, the other one will always be observed to be spin-down and vice versa, this despite the fact that it is impossible to predict, according to quantum mechanics, which set of measurements will be observed. As a result, measurements performed on one system seem to be instantaneously influencing other systems entangled with it. But quantum entanglement does not enable the transmission of classical information faster than the speed of light (see discussion in next section below).
Quantum entanglement applications in the emerging technologies of quantum computing and quantum cryptography, and has been used to realize quantum teleportation experimentally. At the same time, it prompts some of the more philosophically oriented discussions concerning quantum theory. The correlations predicted by quantum mechanics, and observed in experiment, reject the principle of local realism , which is that information about the state of a system should only be mediated by interactions in its immediate surroundings. Different views of what is actually occurring in the process of quantum entanglement can be related to different interpretations of quantum mechanics
I
SAY
READ ME ME READ
TREAD THAT PATH THAT PATH TREAD
THAT ISISIS ISISIS THAT
ISISIS
THAT IS THAT
MATTER MIND MIND MATTER
THAT I THAT
ME I ME
DREAM THAT THAT THAT DREAM
DREAMER REDEEMER REDEEMER DREAMER
THAT ISISIS ISISIS THAT
BEYOND MEASURE MEASURE BEYOND
OLDEN GOLDEN OLDEN OLDEN
THREAD THAT THREAD
THREAD READ DEATH DEATH READ THREAD
THREAD R DEATH DEATH R THREAD
READ THREAD DEAR
THE NEW ELIZABETHAN
REFERENCE DICTIONARY
An up-to-date vocabulary of the living English language
Circa 1900
FOURTH EDITION
Page 1472
thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.
THE NEW ELIZABETHAN
REFERENCE DICTIONARY
An up-to-date vocabulary of the living English language
FOURTH EDITION
Circa 1900
Page 1472
thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.
l
isle t
hread: l
isle t
hread
A strong tightly twisted cotton thread (usually made of long-staple cotton) - lisle. Derived forms: lisle threads. Type of: cotton. Nearest ... www.wordwebonline.com/en/LISLETHREAD
Def
in
it
ion - of L
isle f
rom
Dictiona
ry.net
Lisle thread, a hard twisted cotton thread, originally produced at Lisle. Source: Webster's Revised Unabridged Dictionary (1913) ... www.dictionary.net/lisle - 9k
CASSELL'S ENGLISH DICTIONARY
1974
Lisle thread (lil thred) [ town in France, now Lille], n, A fine, hard thread orig. made at Lille.
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Add to Reduce |
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Reduce to Deduce |
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Essence of Number |
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DEATH |
38 |
20 |
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THREAD |
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LIFE HANGING BY A THREAD
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= |
27 |
2+7 |
|
|
|
|
I |
|
|
|
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|
I |
|
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|
|
|
|
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|
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R |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
2+0 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
4+5 |
|
|
2+0 |
|
1+0+4 |
|
4+1 |
|
|
|
I |
|
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|
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I |
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R |
|
|
|
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|
|
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|
|
|
|
|
|
|
3 |
|
6 |
5 |
|
8 |
1 |
5 |
7 |
|
5 |
7 |
|
2 |
7 |
|
1 |
|
2 |
8 |
9 |
5 |
1 |
4 |
|
|
|
|
|
|
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I |
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I |
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R |
|
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|
|
THE LIGHT IS RISING RISING IS THE LIGHT
2 |
IS |
28 |
10 |
1 |
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
2 |
IS |
28 |
10 |
1 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
E |
= |
5 |
- |
2 |
EX |
11 |
2 |
2 |
U |
= |
3 |
- |
6 |
UMBRIS |
82 |
28 |
1 |
E |
= |
5 |
- |
2 |
ET |
25 |
7 |
7 |
I |
= |
9 |
|
10 |
IMAGINIBUS |
104 |
50 |
5 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
V |
= |
4 |
- |
9 |
VERITATEM |
113 |
41 |
5 |
- |
- |
|
- |
31 |
First Total |
|
|
|
- |
- |
3+5 |
- |
3+1 |
Add to Reduce |
3+5+8 |
1+4+2 |
2+5 |
- |
- |
|
- |
4 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
1+6 |
- |
- |
- |
- |
|
- |
4 |
Essence of Number |
|
|
|
O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
S |
= |
1 |
- |
7 |
SHADOWS |
89 |
26 |
8 |
A |
= |
1 |
- |
3 |
AND |
82 |
28 |
1 |
P |
= |
7 |
|
9 |
PHANTASMS |
111 |
30 |
3 |
I |
= |
9 |
- |
4 |
INTO |
58 |
22 |
4 |
T |
= |
2 |
- |
5 |
TRUTH |
87 |
24 |
6 |
- |
- |
|
- |
33 |
Add to Reduce |
|
|
|
- |
- |
3+2 |
- |
3+3 |
Reduce to Deduce |
4+4+1 |
1+3+5 |
2+7 |
- |
- |
|
- |
6 |
Essence of Number |
|
|
|
THE SHORT PATH
3 |
THE |
33 |
15 |
6 |
3 |
GOD |
26 |
17 |
8 |
7 |
PERFECT |
73 |
37 |
1 |
14 |
NINE NINETY NINE |
171 |
81 |
9 |
5 |
NAMES |
52 |
16 |
7 |
2 |
OF |
21 |
12 |
3 |
3 |
GOD |
26 |
17 |
8 |
37 |
First Total |
|
|
|
|
Add to Reduce |
4+0+2 |
1+9+5 |
4+2 |
10 |
Second Total |
|
|
|
|
Add to Reduce |
- |
1+5 |
- |
1 |
Essence of Number |
|
|
|
- |
THE RAINBOW LIGHT |
- |
- |
- |
|
THE |
33 |
15 |
|
|
RAINBOW |
82 |
37 |
|
|
LIGHT |
56 |
29 |
|
15 |
THE RAINBOW LIGHT |
171 |
81 |
9 |
1+5 |
- |
1+7+1 |
8+1 |
- |
6 |
THE RAINBOW LIGHT |
9 |
9 |
9 |
THE
HERMAPHRODITE
1977
YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO
THE HIRAM KEY
Christopher Knight and Robert Lomas 1997
THE LEGACY OF THE EGYPTIANS
Page 72
"My Kingdom is not of this world" (J. 18:36"
Page 141 Page 142 / identified the dead king with Osiris.4 Resurrection ceremonies were not reserved for the death of the king, indeed they appear to have been quite frequent-events conducted in the mortuary temple.5 It has been suggested that these were rituals to honour royal ancestors, but could it be they were admission ceremoqies for new members of the royal inner-sanctum, where they were figuratively resurrected before being admitted to the 'secrets and mysteries' handed down by word of mouth from the time "of the gods. It is clear that these secrets would, by definition, require a 'secret society', a privileged group that consituted a society apart. Such a group would have to have had a ceremony of entry; no ancient or even modern elite institution ever fails to have a ceremoriy of passing from the rank and file into the restricted group.
At the coronation funeral ritual, the old king, was resurrected as the new one, and proved himself a suitable candidate by travelling around the perimeter of the entire country.6 This was really a symbolic act as the new king
was conducted around the temple room to show himself a
worthy candidate to those present, which included the god Re and his main assistent. In a Masonic ceremony too, the new member is conducted around the Temple to
prove himself ,a worthy candidate.
After passing all points of the compass he is presented in the south,west and, finally, the east. The first is the junior warden, said to represent the moon (Thoth was god of the moon), the next is the senior warden, representing the sun (Re was god of the sun) and finally the Worshipful Master, who could be said to represent the risen Osiris. Like the Egyptians, Freemasons conduct their ceremonies
at night. The similarities are striking, but what evidence did we have that a secret society existed at all, let alone that the / Page 143 / principles of the coronation ceremony extended to the initiation of members?. . . "
|
SOUTH |
83 |
29 |
|
|
WEST |
67 |
13 |
|
|
EAST |
45 |
18 |
|
|
NORTH |
75 |
30 |
|
15 |
Add to Reduce |
270 |
90 |
18 |
1+5 |
Reduce to Deduce |
2+7+0 |
9+0 |
1+8 |
6 |
Essence of Number |
9 |
9 |
9 |
Page 143
There are many inscriptions indicating a select group whose membership was given knowledge of secret things. An inscription on a false door,cnow in the Cairo Museum, was written by someone who had been surprised and honoured to be admitted to the inner group of King Teti. It reads as follows:"
- |
TETI |
- |
- |
- |
|
TET |
45 |
9 |
|
|
I |
9 |
9 |
|
|
TETI |
54 |
9 |
|
|
- |
5+4 |
1 |
|
4 |
TETI |
9 |
9 |
|
"Today in the presence of the Son of Re: Teti, living forever, high priest of Ptar, more honoured by the king than any servant, as- master of secret things of every work which his majesty should be done; pleasing the heart of his lord every day, high priest of Ptah, Sabu.
High Priest of Ptar, cup-bearer of the king, master of
secret things of the king in his every place. . . When his majesty favoured me, his majesty caused that I enter into the privy chamber, that I might set for him the people into every place; where I found the way. Never was done the like to any servant like me,by any sovereign, because his majesty loved me more than any
servant of his,' because I was honoured in his heart. I was useful in his majestys presence, I found the way in every secret matter of the court, I was honoured in his majesty's.presence.'
This person obviously felt his preferment to this exulted group was very unusual for someone holding his original rank, which indicates that while senior individuals probably had a right to membership, the king and possibly others had the authority. to introduce selected people.
Egyptologists have never found an explanation for the expression 'I found the way' in reference to secret matters, but we could interpret this as being instructed in secret knowledge that would thereafter become a way of life. An important point is that the Essenes and Jerusalem Church used the same term for the following of their Law.
LAW = 9 9 = LAW
Page 144
"Another insription refers to an unknown builder who
was also a member of King Teti's secret holding group:
'I did so that his majesty praised me on account of it ...
His majesty caused that I enter] into the privy
- chamber and that I become a member of the sovereign's court. .. His majesty sent me to conduct the works in the ka-temple ... and in tne quarry of Troja ... I rnade
a false door, conducting the work.'
The nineteenth-century translation 'privy chamber' was selected because it described the modem understanding of a king's personal room, but that does not sit with the term 'sovereign's court' which implies the whole of the palace entourage. Perhaps it could be expressed more meaningfully as: - 'His majesty caused that I enter the royal chamber. of restricted access that I might - be made a member of the king's elite.'
As we have seen, there was instruction in secret practices for this elite, which must have been bestowed in a ceremony concealed from the view of lesser individuals. This would have represented the highest level of attainment for a man; but for a man who was also a god, the
Horus, there was a far more special event - the making of a king. It was an enormously important occasion representing the continued binding of the Two Lands and the prosperity and stability that - they - enjoyed. However, between the death of the old king and the confirmation of the new one was a point' of danger, as it allowed an
opportunity for insurrection. .
The Egyptologist H. W. Fairman observed:
'It is quite evident that at some point in the making of a king, in his selection or his crowning, something happened that ensured his legitimacy, that automatically disarmed opposition and claimed and obtained / Page
145 /
loyalty, and that simultaneously made him a god and linked him directly with Egypt's past.'7
This view is widely shared, but until now no specific evidence has come to light to identify this key event within the ceremony. In the light of our wider research, a new and startling theory about the special nature of kingmaking in ancient Egypt occurred to us.
We will start by reviewing what is known of the kingmaking process:
The coronation took place in two stages. The first stage included anointing and an investiture with a ceremonial collar and apron as well. as a presentation of an ankh (symbol of life) and four posies. In the second stage royal insignia were presented and the main ritual began. A crucial part of this was the reaffirmation of the union of the Two Lands and the investiture of the new king by presenting two distinctly different crowns and regalia. At what stage in these proceedings the king became a god is never stated. 8
We would suggest that the central and crucial process of king-making involved the candidate travelling to the stars to be admitted a member of the society of gods and there to be made the Horus, possibly being spiritually crowned by the dead king - the new Osiris. At some point in the events of the night the old king and the new king journeyed to the constellation of Orion together, one to remain in his celestial home and one to return to rule the land of men.
The new king would have undergone 'death' by means of a potion administered to him by the high priest in the gathering of the inner group of the holders of the royal secrets. This drug would have been a hallucinogenic that slowly induced a catatonic state, leaving the new king as inert as any corpse. As the hours of the night passed the / Page 146 /
potion would have worn off and the newly made Horus would have returned from his sojourn with the gods and past kings of Egypt. The return would have been carefully calculated so that the new king returned to consciousness precisely as the morning star rose above the horizon. From that moment on no mortal would ever think about usurping his power, divinely given in a council of the gods in the heavens above. Once the members of the king's elite, the 'holders of secrets', had decided whom to raise to the sublime and unique degree of Horus, the time for any possible competition had passed.
This logical theory meets all academic criteria for the unknown part of the ceremony that made the new king unassailable. This process would have:
1. Disarmed opposition and ensured total loyalty.
2. Made the new king a god (obviously no man could have conferred this status).
3. Linked him directly with Egypt's past (he had sojourned with all past kings).
Proving the Unprovable
If we had just discovered a new chamber in one of the pyramids and on its walls found a full description of this king-making process, we would have enough proof for most (but no doubt not all) academics to accept our theory as viable. That is not the case, and clearly is not going to happen. The record of events would no more include details of potions administered to the king-to-be than they would give details of the embalming chemistry used on the dead king. As far as the hieroglyphics' failure to record that the candidate for kingship underwent a 'temporary death' and travelled to the stars is concerned, we would say that the main event was the creation of the / Page
147
/ "Osiris and the creation of the Horus was an implicit event within that. There is some strong circumstantial evidence to support this theory.
Before we go into the reasons why we think this theory is correct; we would like to remind you of the point regarding our two-tier approach to our research; In following this system we have consistendy not ignored any proven facts and have clearly indicated when we have been speculating. In contrast to a number of the other new ideas that we put forward in this book, we cannot provide absolute proof for this process of king-making, but it is a theory that fits the gap in the known Egyptian kingmaking process, one that is supported by such facts as there are.
The Silent Evidence
Many people have an impression that the Ancient Egyptians. built pyramids for the burial of their pharaohs. In fact, the age in which pyramids were built was very short indeed,- and it will probably come as a surprise to most readers to learn that Queen Cleopatra was closer in time to the space shuttle technicians than she was to the builders of the Great Pyramid. It is also far from certain that the primary purpose of the pyramids was to provide burial places for dead kings, and the subject of their true meaning is still widely debated. A useful analogy is that St Paul's Cathedral is not the tomb of Sir Christopher Wren, despite the fact that he is buried within it.
The major source of information about the Osiris/ Horus ritual comes from inscriptions called 'the Pyramid Texts', found inside the five. pyramids of Saqqara near Cairo, the most important of which was that of King Unas, which dates from the end of the Fifth Dynasty of Kings. Although this is around 4,300 years old it still ranks as a very late pyramid, but the ritual described is considered to be as much as 5,300 years old.
ATONEMENT MENTALLY AT ONE THE LIVING DEATH EXPERIENCE
15 |
THE PYRAMID TEXTS |
19 |
10 |
1 |
N |
THE |
33 |
15 |
|
- |
PYRAMID |
86 |
41 |
|
- |
TEXTS |
88 |
25 |
7 |
|
THE PYRAMID TEXTS |
207 |
81 |
18 |
- |
- |
2+0+7 |
8+1 |
1+8 |
|
THE PYRAMID TEXTS |
9 |
9 |
9 |
WE ARE THE DEAD SHORT TIME AGO WE
LIVED FELT DAWN SAW SUNSET GLOW LOVED AND WERE LOVED AND NOW
?
- |
SAQQARA |
19 |
10 |
1 |
|
S |
19 |
10 |
|
|
AQ |
18 |
9 |
|
|
QA |
18 |
9 |
|
|
R |
18 |
9 |
|
|
A |
1 |
1 |
|
- |
SAQQARA |
19 |
10 |
1 |
- |
SAQQARA |
19 |
10 |
1 |
|
S |
19 |
10 |
|
|
AQ |
18 |
9 |
|
|
QA |
18 |
9 |
|
|
R |
18 |
9 |
|
|
A |
1 |
1 |
|
7 |
SAQQARA |
74 |
38 |
29 |
- |
- |
7+4 |
3+8 |
2+9 |
7 |
SAQQARA |
|
|
|
- |
- |
1+1 |
1+1 |
1+1 |
7 |
SAQQARA |
2 |
2 |
2 |
THISISTHESCENEOFTHESEENUNSEENTHEUNSEENSEENOFTHESCENEUNSEENTHISISTHESCENE
|
THE |
33 |
15 |
|
|
GREAT |
51 |
24 |
|
|
PYRAMID |
86 |
41 |
|
2 |
OF |
21 |
12 |
3 |
4 |
GIZA |
43 |
25 |
7 |
21 |
Add to Reduce |
234 |
117 |
27 |
2+1 |
Reduce to Deduce |
2+3+4 |
1+1+7 |
2+7 |
3 |
Essence of Number |
9 |
9 |
9 |
- |
PHARAOH + PYRAMID |
19 |
10 |
1 |
|
PHARAOH |
67 |
40 |
|
|
PYRAMID |
86 |
41 |
|
14 |
PYRAMID + PHARAOH |
153 |
81 |
9 |
1+4 |
- |
1+7+1 |
8+1 |
- |
5 |
PHARAOH + PYRAMID |
9 |
9 |
9 |
KING UNAS
A
SUN KING
Page 148
"Study of these texts has produced a reconstruction of some of the elements of the ritual, but it is what is missing that is most telling.' This reconstruction describes the various chambers decribing ritual meaning to each; the burial chamber represents the underworld, the antechamber the horizon or upperworld, and the ceiling the night sky. The coffin containing the body of the dead king was brought into the burial chamber where the ritual was performed. The body was placed into the sarcophagus and the members of the elite passed into the antechamber, breaking two red vases as they went. During the ceremony the Ba (the soul) of the dead king left the body and crossed the underworld (the burial chamber) and then, acquiring tangible form in the statue of himself, proceeded to cross the night sky and reached the horizon where it rejoined the Lord of All. The process was then repeated in abbreviated form. For whom? we wondered. The candidate king perhaps?
The most tantalising aspect of this interpretation of the Pyramid Text of Unas is that it contains another ritual running alongside the main ritual. This was a silent ritual, concerned with something like resurrection. It seems to have been observed alongside part of the spoken ritual, starting, as the celebrants passed from the burial chamber into the antechamber, with the breaking of the red vases.
The only tentative explanation for this parallel ritual has been that it was for Upper Egypt, whereas the spoken one' was for the more important Lower Egypt. Instead, we
wondered if it could have been for the transportation of the temporally dead candidate king, who would have to be resurrected back into human form before the tomb was
sealed.
The same ceremonies are known to have been conducted in identical form in other periods and many / Page 149 / experts believe that the ritual is more ancient than the oldest Egyptian history, which is taken to be around 3200 BC.
A prayer from a Sixth Dynasty (2345-2181 BC) pyramid expresses the spirit of the ancient Egyptian theology that was built upon resurrection to the stars and the maintenance of stability on Earth:
'Thou standest, ON, protected, equipped as a god, equipped with the aspect of Osiris on the throne of the First of the Westerners. Thou doest what he was wont to do among the spirits, the Imperishable Stars Thy son stands on thy throne, equipped with thy aspect; he does what thou wast wont to do aforetime at the head of the living by the command of Re, the Great God; he cultivates barley, he cultivates spelt11, that he may present thee therewith. Ho N, all life and dominion are
given to thee, eternity is thine, says Re. Thou thyself
speakest when thou hast received the aspect of a god, and thou art great thereby among the gods who are in the estate. Ho N, thy Ba stands among the gods, among the spirits; fear of thee is in their hearts. Ho N, this N.
stands on thy throne at the head of the living; terror of thee is in their hearts. Thy name that is on earth lives, thy name that is on earth endures; thou wilt not perish, thou wilt not be destroyed for ever and ever. '
Consider now a silent prayer for the candidate king about to undergo his brief death to pass through the underworld and meet with the past kings of the Two Lands:
'Almighty and eternal Re, Architect and Ruler of the Universe, at whose creative fiat all things first were made, we the frail creatures of thy providence, humbly / Page 150 / implore thee to pour down upon this convocation, assembled in thy Holy Name, the continued dew of thy blessing. More especially we beseech thee to impart Thy grace to this thy servant who seeks to partake with us, the secrets of the stars. Endue him with such fortitude that, in the hour of trial he fail not, but passing safely under thy protection, through ihe dark valley of the
shadow of death he may finally rise from the tomb of transgression to shine as the Stars, for ever and ever.
It
seems to fit perfectly, doesn't it? Yet this is no ancient Egyptian ritual; it is the prayer offered up in the Masonic Third Degree ceremony prior to the candidate undergoing a figurative death to be resurrected a Master Mason! We have simply changed the name 'God' to 'Re' and 'secrets of a Master Mason' to 'secrets of the stars' to make our point, otherwise it is unchanged.
What then of the suggestion that a narcotic drug was employed to 'transport' the new king to the stars and back again? As we have already stated, there would be no record of this potion as there is no real record of the coronation ritual at all. It seems reasonable that there is no record of the massively important moment of king-making because no one knew what it was; the candidate took the potion, travelled to the stars and returned the king and Horus. All his earthly team had to do was present him with the trappings of office and ask no questions about the business of the gods, of which the king was now one. The king himself would no doubt have had strange dreams under the influence of the drug but was not, of course, going to reveal anything. By this process the king-making ceremony put the new Horus beyond all dispute as the divine choice of the gods as ruler of the Two Lands.
Narcotic drugs have been used in religious ceremonies in almost every ancient human culture and it would be surprising if such an advanced culture as that of the early Egyptians did not possess very sophisticated knowledge / Page 151 / concerning their use. The question is not, could they have used such drugs? It is, why do we think that they would not have used them? The expected method for a man to reach the heavens in death was to traverse the bridge in life, usually with the aid of narcotics.
The funerary bridge, a link between the Earth and Heaven wnich human beings use to communicate with the gods, is a common symbol of ancient; religious practices. At some point in the distant past such bridges had been in common use, but following the decline of
man it has become more difficult to use such bridges. People can only cross the bridge in spirit either as a dead soul or in a state of ecstasy. Such a crossing would
be fraught with difficulty, not all souls would succeed,
as-demons and monsters could beset those who were not properly prepared. Only the 'good' and the skilled adepts who already knew the road from a ritua( death and resurrection could cross the bridge.. easily.12
These ideas on Shamanism fit what we know of
Egyptian beliefs on every level. Demons were warded from the passage of the Osiris by spoken curses, but in fact his course would be" quite safe for two reasons. First he lived by Ma'at, and so was a good man; secondly he knew the way from travelling the 'bridge' when he was made Horus. Perhaps the passage of the new king was conducted in silence so as not to alert demons. The new king could then follow the dead king across the heavens, learning the way so that he could in turn lead the next
king at his own death.
We later found that Henri Frankfort had detected that the rebirth rites for the dead king were conducted in parallel with the coronation rituals of his heir.13 This / Page 152 /
confirmed our view of a double ceremony for the dead and the living kings. Furthermore,. a passage from the Pyramid Texts shows that the new Horus was considered to be the morning star, when the new Osiris says:
'The reed-floats of the sky are set in place for me, that I may cross by means of them to Re at the horizon. ... I will stand among them, for the moon is my brother, the Morning Star is my offspring... ,14
We believe that the Egyptians adopted much of their theology and technology from the secrets of the city builders of Sumer and that the Sumerians were extremely well versed in the use of drugs for religious purposes.
The next question we had to consider was whether or not such resurrection rituals were exclusively reserved for coronations. The answer seemed to be no, they were not. By the end of the Old Kingdom (circa 2181 BC) some form of royal resurrection ceremony was known to be held annually, and as the Middle Kingdom progressed, the ritual is known to have been applied to well-to-do people, possibly outside the king's central group. These non-royal people would almost certainly not have had the secret knowledge of the royal group.
The Morning Star Shines Again
Now we need to consider a vital element of Egyptian theology. As we said above, the theology of Egypt was very much a development of Sumerian beliefs. Moreover, future Hebrew (and therefore Christian) beliefs were a development of Egyptian theology remerged with later Babylonian versions of the same source material. We had already come across a common identification of the morning star as the symbol of rebirth in the Essene
Community / Jerusalem Church and Freemasonry; we now found the theme again in ancient Egypt. Pyramid Texts 357, 929, 935 and 1707 refer to the dead king's offspring (the Horus) as being the morning star.
It is interesting to note that the Egyptian hieroglyphic for the morning star has the literal meaning 'divine knowledge'. This seems to support our thesis that the candidate for kingship was raised to the status of the new god/king Horus by sharing the secrets of the gods in the land of the dead, where he learned the great secrets before returning to Earth as the morning star broke the horizon just before sunrise.
Hieroglyph for the Morning Star (Omitted)
As we were working on this phase of our research, a new book was published which claimed to throw new light on the purpose of the pyramids by detailing their astrologically inspired design. Robert Bauval and Adrian Gilbert put forward a well argued and researched case that shows how the Giza pyramids are arranged in a deliberate imitation of the stars of Orion's Belt.ls They also make reference to rituals that were conducted in the stepped ziggurats of ancient Mesopotamia involving the 'Morning Star, seen as the great cosmic goddess Ishtar'. This evidence from a totally different route confirmed what we had found independently by working backwards from the rituals of modern Freemasonry.
In Egypt the new king, the Horus, is the morning star, arising (like the raised Freemason) from a temporary and figurative death. The morning star, usually identified with / Page 154 /
Venus, was proving itself to be a very important link in our chain.
But, however fascinating were the parallels with the Essenes and Freemasonry which we discovered in Egyptian practices, there remained an obvious question. Was there a route for the ideals of Ma'at, the secrets of the Egyptian Kings and a detailed resurrection ritual to get through to the Essenes? To find out, we needed to look more closely at the Osiris story.
The peculiar fate of Osiris - his brutal murder and dismemberment by his brother Set, followed by his resurrection and exaltation to the stars - is a very early example of the vindication and reward of innocent
suffering. Osiris's fate gave hope to the lower orders of
society and gave a meaning and purpose to suffering. The cult of Osiris came to be a benign funerary cult, accessible to the ordinary Egyptian. When other gods remained remote in their temples,. Osiris could be worshipped anywhere by anybody, alongside the local god.16
Change 'the fate' to 'his crucifixion' and this description could be about Jesus the Christ. We now felt positive that we would find the connections we suspected to exist. We did not have to wait long for a powerful hypothesis to emerge. As we were in the midst of analysing the next key period of Egyptian history, the central character of our research, Hiram Abif, emerged out of the mists of time to confront us."
Page 142 Notes. 4 J.Spiegel: Das Auferstehungsritual der Unaspyramide
5 S. H. Hooke: The Kingship Rituals of Egypt
6 S. H. Hooke: The Kingship. Rituals of Egypt
Page 145 Notes. 7 H. W. Fairman: The Kingship Rituals of Egypt 8 H. W. Fairman: The Kingship Rituals of Egypt. . . . . . . Page 148 Notes. 9 J. Spiege1: Das Auftrslthungsritual Unaspyramide 10 J. Spiegel: Das Aufmtthungsritual der Unaspyramide
Page 149 Note. 11 Spelt - an early variety of wheat
Page 151 Notes. 12 Mircea Eliade: Shamanism: Archaic Techniques of Ecstasy 13 Henri Frankfort: Kingship and the Gods . . . . . Page 152 Notes. 14 Pyramid Texts 1000-1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Page 153 Notes. 15 Robert Bauval and Adrian Gilbert: The Orion Mystery
Page 304
"The author of Revelations, the last book of the New Testament, called Jesus:
"The root and branch of David and the bright star of the morning."
CATCHING THE LIGHT
Arthur Zajonc
1993
Page 44
ANGELIC LIGHT - HUMAN LIGHT
"HOW YOU HAVE FALLEN FROM HEAVEN, BRIGHT SON OF THE MORNING FELLED TO THE EARTH!"
Isaiah 14:12-15
FOR
I
HAVE
KNOWN THEM ALL ALREADY KNOWN THEM ALL HAVE KNOWN
THE EVENINGS MORNINGS AFTERNOONS I HAVE MEASURED OUT THY LIVES IN COFFIN SWOONS
6 |
ANUBIS |
66 |
21 |
3 |
3 |
THE |
33 |
15 |
6 |
3 |
DOG |
26 |
17 |
8 |
3 |
FOX |
45 |
18 |
9 |
17 |
First Total |
|
|
|
|
Add to Reduce |
1+9+8 |
9+0 |
2+7 |
8 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
1+0 |
1+0 |
8 |
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
6 |
ANUBIS |
66 |
21 |
3 |
9 |
|
|
|
|
|
|
9+9 |
3+6 |
- |
9 |
|
|
|
|
|
|
1+8 |
- |
- |
9 |
|
|
|
|
GODS KIN THE THINKING KINGS KIN
THE HIRAM KEY
Christopher Knight and Robert Lomas 1997
THE LEGACY OF THE EGYPTIANS
Page 154
"But, however fascinating were the parallels with the Essenes and Freemasonry which we discovered in Egyptian practices, there remained an obvious question. Was there a route for the ideals of Ma'at, the secrets of the Egyptian Kings and a detailed resurrection ritual to get through to the Essenes? To find out, we needed to look more closely at the Osiris story.
The peculiar fate of Osiris - his brutal murder and dismemberment by his brother Set, followed by his resurrection and exaltation to the stars - is a very early example of the vindication and reward of innocent suffering. Osiris's fate gave hope to the lower orders of society and gave a meaning and purpose to suffering. The cult of Osiris came to be a benign funerary cult, accessible to the ordinary Egyptian. When other gods remained remote in their temples,. Osiris could be worshipped anywhere by anybody, alongside the local god.16
Change 'the fate' to 'his crucifixion' and this description could be about Jesus the Christ. We now felt positive that we would find the connections we suspected to exist. We did not have to wait long for a powerful hypothesis to emerge. As we were in the midst of analysing the next key period of Egyptian history, the central character of our research, Hiram Abif, emerged out of the mists of time to confront us."
"To find out, we needed to look more closely at the Osiris story.
The peculiar fate of Osiris - his brutal murder and dismemberment by his brother Set, followed by his resurrection and exaltation to the stars"
JOSEPH AND HIS BROTHEERS
Thomas Mann 1933
Page 890
In all there were two-and-seventy conspirators privy to the plot. It was a proper and a pregnant number, for there had been just seventy-two when red Set lured Usir into the chest. And these seventytwo in their turn had had good cosmic ground to be no more and no less than that number. For it is just that number of groups of five weeks which make up the three hundred and sixty days of the year, not counting the odd days; and there are just seventy-two days in the dry fifth of the year, when the gauge shows that the Nourisher has reached his lowest ebb, and the god sinks into his grave. So where there is conspiracy anywhere in the world it is requisite and customary for the number of conspirators to be seventy-two. And if the plot fail, the failure shows that if this number had not been adhered
to it would have failed even worse.
6 |
|
89 |
35 |
8 |
- |
8 x 9 |
72 |
- |
- |
|
OSIRIS |
89 |
35 |
|
Page 890
In all there were two-and-seventy conspirators privy to the plot. It was a proper and a pregnant number, for there had been just seventy-two when red Set lured Usir into the chest.
THE GOLDEN BOUGH
James Frazer 1922
Chapter 38
"But his brother Set (whom the Greeks called Typhon) with seventy-two others plotted against him. Having taken the measure of his good brother’s body by stealth, the bad brother Typhon fashioned and highly decorated a coffer of the same size, and once when they were all drinking and making merry he brought in the coffer and jestingly promised to give it to the one whom it should fit exactly. Well, they all tried one after the other, but it fitted none of them. Last of all Osiris stepped into it and lay down. On that the conspirators ran and slammed the lid down on him, nailed it fast, soldered it with molten lead, and flung the coffer into the Nile. This happened on the seventeenth day of the month Athyr, when the sun is in the sign of the Scorpion, and in the eight-and-twentieth year of the reign or the life of Osiris. When Isis heard of it she sheared off a lock of her hair, put on a mourning attire, and wandered disconsolately up and down, seeking the body.4"
http://www.sacred-texts.com/pag/frazer/gb03902.htm
- |
OSIRIS ISIS SET |
- |
- |
- |
|
OSIRIS |
89 |
44 |
|
4 |
|
56 |
38 |
2 |
3 |
|
44 |
17 |
8 |
15 |
SET ISIS OSIRIS |
189 |
99 |
18 |
1+5 |
|
1+8+9 |
9+9 |
1+9 |
6 |
ISIS OSIRIS SET |
18 |
18 |
9 |
- |
- |
1+8 |
1+8 |
- |
6 |
OSIRIS SET ISIS |
9 |
9 |
9 |
- |
- |
- |
- |
- |
|
NAMES OF GOD |
99 |
45 |
|
|
SYCAMORE |
99 |
36 |
|
|
PENIS |
63 |
18 |
|
|
SYCAMORE |
99 |
36 |
|
|
ACACIA |
18 |
18 |
|
FINGERPRINTS OF THE GODS
Page 71
Once and Future King
Boats, water and salvation
There are curious parallels here to the story of Osiris, the ancient Egyptian high god of death and resurrection. The fullest account of the original myth defining this mysterious figure is given by Plutarch4 and says that, after bringing the gifts of civilization to his people, teaching them all manner of useful skills, abolishing cannibalism and human sacrifice, and providing them with their first legal code, Osiris left Egypt and travelled about the world to spread the benefits of civilization to other nations as well. He never forced the barbarians he encountered to accept his laws, preferring instead to argue with them and to appeal to their reason. It is also recorded that he passed on his teachings to them by means of hymns and songs accompanied by musical instruments.
While he was gone, however, he was plotted against by seventy-two members of his court, led by his brother-in-law Set. On his return the conspirators invited him to a banquet where a splendid coffer of wood and gold was offered as a prize to any guest who could fit into it exactly. Osiris did not know that the coffer had been constructed precisely to his body measurements. As a result, when the assembled guests tried one by one to get into it they failed. Osiris lay down comfortably inside. Before he had time to get out the conspirators rushed forward, nailed the lid tightly closed and sealed even the cracks with molten lead so that there would be no air. The coffer was then thrown into the Nile. It had been intended that it should sink, but it floated rapidly away, drifting for a considerable distance until it reached the sea coast.
At this point the goddess Isis, wife of Osiris, intervened. Using all the great magic for which she was renowned, she found the coffer and concealed it in a secret place. However, her evil brother Set, out hunting in the marshes, discovered the coffer, opened it and, in a mad fury, cut the royal corpse into fourteen pieces which he scattered throughout the land.
Once more Isis set off to save her husband. She made a small boat of papyrus reeds, coated with pitch, and embarked on the Nile in search of the remains. When she had found them she worked powerful spells to reunite the dismembered parts of the body so that it resumed its old form. Thereafter, in an intact and perfect state, Osiris went through a / Page 72 / process of stellar rebirth to become god of the dead and king of the underworld - from which place, legend had it, he occasionally returned to earth in the guise of the mortal man.5
"he was plotted against by seventy-two members of his court, led by his brother-in-law Set."
72 x 14 = 1008
"However, her evil brother Set, out hunting in the marshes, discovered the coffer, opened it and, in a mad fury, cut the royal corpse into fourteen pieces"
Page 272
Chapter 3 I
The Osiris Numbers
Archaeo-astronomer Jane B. Sellers, who studied Egyptology at the University of Chicago's Oriental Institute, spends her winters in Portland, Maine, and summers at Ripley Neck, a nineteenth-century enclave 'downeast' on Maine's rocky coast. 'There,' she says, 'the night skies can be as clear as the desert, and no one minds if you read the Pyramid Texts out loud to the seagulls . . .'1
One of the few serious scholars to have tested the theory advanced by Santillana and von Dechend in Hamlets Mill, Sellers has been hailed for having drawn attention to the need to use astronomy, and more particularly precession, for the proper study of ancient Egypt and its religion.2 In her words: 'Archaeologists by and large lack an understanding of precession, and this affects their conclusions concerning ancient myths, ancient gods and ancient temple alignments. . . For astronomers precession is a well-established fact; those working in the field of ancient man have a responsibility to attain an understanding of it.,3
It is Sellers's contention, eloquently expressed in her recent book, The Death of Gods in Ancient Egypt, that the Osiris myth may have been deliberately encoded with a group of key numbers that are 'excess baggage' as far as the narrative is concerned but that offer an eternal calculus by which surprisingly exact values can be derived for the following:
I The time required for the earth's slow precessional wobble to / Page 273 /
cause the position of sunrise on the vernal equinox to complete a
shift of one degree along the ecliptic in (in relation to the stellar background);
2 The time required for the sun to pass through one full zodiacle segment of thirty degrees;
3 The time required for the sun to pass through two full zodiacal
segments (totalling sixty degrees);
4 The time required to bring about the 'Great Return'4 i. e, for
the sun to shift three hundred and sixty degrees along the
ecliptic, thus fulfilling one complete precessional cycle or 'Great Year'.
10 |
PRECESSION |
123 |
69 |
|
2 |
OF |
21 |
12 |
|
3 |
THE |
33 |
15 |
|
9 |
EQUINOXES |
129 |
57 |
|
24 |
Add to Reduce |
306 |
153 |
18 |
2+4 |
Reduce to Deduce |
3+0+6 |
1+5+3 |
1+8 |
6 |
Essence of Number |
9 |
9 |
9 |
Computing the Great Return
The precessional numbers highlighted by Sellers in the Osiris myth are 360,72,30 and 12. Most of them are found in a section of the myth which provides us with biographical details of the various characters. These have been conveniently summarized by E. A. Wallis Budge, formerly keeper of Egyptian Antiquities at the British Museum:
The goddess Nut, wife of the sun god Ra, was beloved by the god Geb. When Ra discovered the intrigue he cursed his wife and declared that she should not be delivered of a child in any month of any year. Then the god Thoth, who also loved Nut, played at tables with the moon
and won from her five whole days. These he joined to the 360 days of which the year then consisted [emphasis added]. On the first of these five days Osiris was brought forth; and at the moment of his birth a voice was heard to proclaim that the lord of creation was born.5
Elsewhere the myth informs us that the 360-day year consists of'12 months of 30 days each'. 6 And in general, as Sellers observes, 'phrases are used which prompt simple mental calculations and an attention to numbers'.7
Thus far we have been provided with three of Sellers's precessional numbers: 360, 12 and 30. The fourth number, which occurs later in the text, is by far the most important. As we saw in Chapter Nine, the evil deity known as Set led a group of conspirators in a plot to kill
Osiris. The number of these conspirators was 72.
10 |
SEVENTY TWO |
168 |
51 |
6 |
12 |
CONSPIRATORS |
167 |
59 |
5 |
3 |
SET |
44 |
17 |
8 |
6 |
OSIRIS |
89 |
35 |
8 |
31 |
First Total |
|
|
|
|
Add to Reduce |
4+6+8 |
2+2+9 |
2+7 |
4 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
4 |
Essence of Number |
9 |
9 |
9 |
10 |
SEVENTY TWO |
168 |
51 |
6 |
12 |
CONSPIRATORS |
167 |
59 |
5 |
10 |
SEVEN |
65 |
29 |
2 |
12 |
TY |
45 |
9 |
9 |
3 |
TWO |
58 |
13 |
4 |
Page 274
"With this last number in hand, suggests Sellers, we are now in a
position to boot-up and set running an ancient computer programme:
12 = the number of constellations in the zodiac;
30 = the number of degrees allocated along the ecliptic. to each zodiacal constellation;
72 = the number of years required for the equinoctial sun to complete a precessional shift of one degree along the ecliptic; 360 = the total number of degrees in the ecliptic;
72 x 30 = 2160 (the number of years required for the sun to complete a passage of 30 degrees along the ecliptic, i. e., to pass entirely through anyone of the 12 zodiacal constellations); 2160 x 12 (or 360 x 72) = 25,920 (the number of years in one complete precessional cycle or 'Great Year', and thus the total number of years required to bring about the 'Great Return').
Other figures and combinations of figures also emerge, for example:
36, the number of years required for the equinoctial sun to complete a precessional shift of half a degree along the ecliptic;
4320, the number of years required for the equinpctial sun to
complete a precessional shift of 60 degrees (i. e., two zodiacal
constellations). .
These, Sellers believes, constitute the basic ingredients of a precessional code which appears again and again, with eerie persistence, in ancient myths and sacred architecture. In common with much esoteric numerology, it is a code in which it is permissible to shift decimal points to left or right at will and to make use of almost any conceivable combinations, permutations, multiplications, divisions and fractions of the essential numbers (all of which relate precisely to
the rate of precession of the equinoxes)
.
10 |
PRECESSION |
123 |
69 |
|
2 |
OF |
21 |
12 |
|
3 |
THE |
33 |
15 |
|
9 |
EQUINOXES |
129 |
57 |
|
24 |
Add to Reduce |
306 |
153 |
18 |
2+4 |
Reduce to Deduce |
3+0+6 |
1+5+3 |
1+8 |
6 |
Essence of Number |
9 |
9 |
9 |
The pre-eminent number in the code is 72. To this is frequently added 36, making 108, and it is permissible to multiply 108 by 100 to get 10,800 or to divide it by 2 to get 54, which may then be multiplied by 10 and expressed as 540 (or as 54,000. or as 540,000, or as 5,400,000, and so on). Also highly significant is 2160 (the number of years required for the equinoctial point to transit one zodiacal /
Page 275 / constellation), which is sometimes multiplied by 10 and by factors of ten (to give 216,000, 2,160,000, and so on) and sometimes by 2 to give 4320, or 43,200, or 432,000, or 4,320,000, ad infinitum.
Better than Hipparchus
If Sellers is correct in her hypothesis that the calculus needed to produce these numbers was deliberately encoded into the Osiris myth to convey precessional information to initiates, we are confronted by an intriguing anomaly. If they are indeed about precession, the numbers are out of place in time. The science they contain is too advanced for them to have been calculated by any known civilization of antiquity.
Let us not forget that they occur in a myth which is present at the very dawn of writing in Egypt (indeed elements of the Osiris story are to be found in the Pyramid Texts dating back to around 2450 BC, in a context which suggests that they were exceedingly old even then8). Hipparchus, the so-called discoverer of precession lived in the second century BC. He proposed a value of 45 or 46 seconds of arc for one year of precessional motion. These figures yield a one-degree shift along the ecliptic in 80 years (at 45 arc seconds per annum), and in 78.26 years (at 46 arc seconds per annum). The true figure, as calculated by twentieth century science, is 71.6 years.9 If Sellers's theory is correct, therefore, the 'Osiris numbers', which give a value of 72 years, are significantly more accurate than those of Hipparchus. Indeed, within the obvious confines imposed by narrative structure, it is difficult to see how the number 72 could have been improved upon, even if the more precise figure had been known to the ancient myth-makers. One can hardly insert 71.6 conspirators into a story, but 72 will fit comfortably.
Working from this rounded-up figure, the Osiris myth is capable of yielding a value of 2160 years for a precessional shift through one complete house of the zodiac. The correct figure, according to today's calculations, is 2148 years.10 The Hipparchus figures are 2400 years and 2347.8 years respectively. Finally, Osiris enables us to calculate 25,920 as the number of years required for the fulfilment of a complete precessional cycle through 12 houses of the zodiac.
"Page 276 Part V
Hipparchus gives us either 28,800 or 28,173.6 years. The correct figure, by today's estimates, is 25,776 years.ll The Hipparchus calculations for the Great Return are therefore around 3000 years out of kilter. The Osiris calculations miss the true figure by only 144 years, and may well do so because the narrative context forced a rounding-up of the base number from the correct value of 71.6 to a more workable figure of 72.
All this, however, assumes that Sellers is right to suppose that the numbers 360, 72, 30 and 12 did not find their way into the Osiris myth by chance but were placed there deliberately by people who understood - and had accurately measured - precession.
Is Sellers right?
Page 381 Chapter 41
Out of this inert cosmic ocean (described as 'shapeless, black with the blackness of the blackest night') rose a mound of dry land on which Ra, the Sun God, materialized in his self-created form as Atum (sometimes depicted as an old bearded man leaning on a staff):5
The sky had not been created, the earth had not been created, the children of the earth and the reptiles had not been fashioned in that place. . . I, Atum, was one by myself. . . There existed no other who worked with me . . .6
- |
|
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|
- |
- |
|
1 |
20 |
21 |
13 |
|
18 |
1 |
|
|
|
7+4 |
= |
|
1+1 |
|
- |
|
1 |
2 |
3 |
4 |
|
9 |
1 |
|
|
|
2+0 |
= |
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- |
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- |
- |
- |
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- |
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|
occurs |
x |
|
= |
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- |
- |
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- |
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occurs |
x |
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= |
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- |
- |
- |
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- |
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|
occurs |
x |
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= |
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- |
- |
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- |
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|
occurs |
x |
|
= |
|
5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
6 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
7 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
26 |
|
|
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|
|
|
|
|
|
|
2+6 |
|
|
|
|
|
|
|
|
|
|
1+9 |
- |
|
|
- |
2+0 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1+0 |
- |
- |
- |
- |
- |
8 |
|
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- |
|
1 |
20 |
21 |
13 |
|
18 |
1 |
|
|
|
7+4 |
= |
|
1+1 |
|
|
1 |
2 |
3 |
4 |
|
9 |
1 |
|
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|
2+0 |
= |
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- |
- |
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- |
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occurs |
x |
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= |
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- |
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- |
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occurs |
x |
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= |
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- |
- |
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- |
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occurs |
x |
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= |
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- |
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occurs |
x |
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= |
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occurs |
x |
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= |
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1+9 |
- |
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- |
2+0 |
|
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- |
1 |
2 |
3 |
4 |
|
9 |
1 |
- |
- |
1+0 |
- |
- |
- |
- |
- |
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|
|
|
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- |
|
1 |
20 |
21 |
13 |
18 |
1 |
|
|
|
7+4 |
= |
|
1+1 |
|
|
1 |
2 |
3 |
4 |
9 |
1 |
|
|
|
2+0 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
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|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
- |
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|
|
|
occurs |
x |
|
= |
|
- |
- |
|
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|
- |
|
|
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|
occurs |
x |
|
= |
|
- |
|
|
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|
- |
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|
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|
occurs |
x |
|
= |
|
- |
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|
occurs |
x |
|
= |
|
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|
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|
|
|
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|
|
|
|
|
|
1+9 |
- |
|
|
Q |
2+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
9 |
1 |
|
|
1+0 |
- |
|
|
|
- |
|
|
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|
|
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|
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|
|
|
|
- |
|
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|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
5 |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
|
|
|
|
|
|
|
1+0 |
- |
|
|
Q |
1+0 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
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|
occurs |
x |
|
= |
|
- |
|
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|
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|
occurs |
x |
|
= |
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
- |
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|
Q |
1+0 |
|
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|
Page 381 Chapter 41
City of the Sun, Chamber of the Jackal
Heliopolis (City of the Sun) was referred to in the Bible as On but was originally known in the Egyptian language as Innu, or Innu Mehret - meaning 'the pillar' or 'the northern pillar' . 3 It was a district of immense sanctity, associated with a strange group of nine solar and stellar deities, and was old beyond reckoning when Senuseret chose it as the site for his obelisk. Indeed, together with Giza (and the distant southern city of Abydos) Innu/Heliopolis was believed to have been part of the first land that emerged from the primeval waters at the/ Page 382 /
moment of creation, the land of the 'First Time', where the gods had commenced their rule on earth. 4
Heliopolitan theology rested on a creation-myth distinguished by a number of unique and curious features. It taught that in the beginning the universe had been filled with a dark, watery nothingness, called the Nun. Out of this inert cosmic ocean (described as 'shapeless, black with the blackness of the blackest night') rose a mound of dry land on which Ra, the Sun God, materialized in his self-created form as Atum (sometimes depicted as an old bearded man leaning on a staff):5
The sky had not been created, the earth had not been created, the children of the earth and the reptiles had not been fashioned in that place. . . I, Atum, was one by myself. . . There existed no other who worked with me . . .6
Conscious of being alone, this blessed and immortal being contrived to create two divine offspring, Shu, god of the air and dryness, and Tefnut the goddess of moisture: 'I thrust my phallus into my closed hand. I made my seed to enter my hand. I poured it into my own mouth. I evacuated under the form of Shu, I passed water under the form of Tefnut.,7
Despite such apparently inauspicious beginnings, Shu and Tefnut (who were always described as 'Twins' and frequently depicted as lions) grew to maturity, copulated and produced offspring of their own: Geb the god of the earth and Nut, the goddess of the sky. These two also mated, creating Osiris and Isis, Set and Nepthys, and so completed the Ennead, the full company of the Nine Gods of Heliopolis. Of the nine, Ra, Shu, Geb and Osiris were said to have ruled in Egypt as kings, followed by Horus, and lastly - for 3226 years - by the Ibis-headed wisdom god Thoth.8
3x2x2x6
72
I
SAY
MIRIAM
IS
THAT
YOU I SEE IN THE MIRROR MIRIAM MIRIAM IS THAT YOU I SEE
IN
THE
MIRROR
6 |
MIRIAM |
- |
- |
|
|
M |
13 |
4 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
A+M |
14 |
5 |
|
6 |
MIRIAM |
63 |
36 |
36 |
- |
- |
6+3 |
3+6 |
3+6 |
6 |
MIRIAM |
9 |
9 |
9 |
- |
|
M |
I |
R |
I |
A |
M |
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
9 |
- |
9 |
- |
- |
|
|
|
|
= |
|
|
|
|
|
- |
|
M |
I |
R |
I |
A |
M |
|
|
|
|
|
|
|
- |
- |
|
- |
|
13 |
- |
18 |
- |
1 |
13 |
|
|
|
|
= |
|
|
|
|
|
- |
|
4 |
- |
9 |
- |
1 |
4 |
|
|
|
|
= |
|
|
|
|
|
- |
|
M |
I |
R |
I |
A |
M |
|
|
|
|
|
|
|
- |
- |
|
- |
|
13 |
9 |
18 |
9 |
1 |
13 |
|
|
|
|
= |
|
|
|
|
|
- |
|
4 |
9 |
9 |
9 |
1 |
4 |
|
|
|
|
= |
|
|
|
|
|
- |
|
M |
I |
R |
I |
A |
M |
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
1 |
|
|
|
|
occurs |
x |
|
= |
1 |
= |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
|
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
9 |
|
|
- |
|
|
|
|
occurs |
x |
|
= |
27 |
= |
|
31 |
|
M |
I |
R |
I |
A |
M |
|
|
14 |
|
|
|
|
|
|
|
3+1 |
- |
9 |
9 |
9 |
9 |
- |
- |
- |
- |
1+4 |
- |
- |
- |
- |
3+6 |
- |
1+8 |
4 |
|
M |
I |
R |
I |
A |
M |
|
|
5 |
|
|
|
|
|
|
|
|
M |
I |
R |
I |
A |
M |
|
|
|
|
|
|
|
- |
- |
|
|
- |
9 |
- |
9 |
- |
- |
|
|
|
|
= |
|
|
|
|
|
|
M |
I |
R |
I |
A |
M |
|
|
|
|
|
|
|
- |
- |
|
|
13 |
- |
18 |
- |
1 |
13 |
|
|
|
|
= |
|
|
|
|
|
|
4 |
- |
9 |
- |
1 |
4 |
|
|
|
|
= |
|
|
|
|
|
|
M |
I |
R |
I |
A |
M |
|
|
|
|
|
|
|
- |
- |
|
|
13 |
9 |
18 |
9 |
1 |
13 |
|
|
|
|
= |
|
|
|
|
|
|
4 |
9 |
9 |
9 |
1 |
4 |
|
|
|
|
= |
|
|
|
|
|
|
M |
I |
R |
I |
A |
M |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
1 |
|
|
|
|
occurs |
x |
|
= |
1 |
= |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
9 |
|
|
- |
|
|
|
|
occurs |
x |
|
= |
27 |
= |
|
|
M |
I |
R |
I |
A |
M |
|
|
14 |
|
|
|
|
|
|
|
- |
9 |
9 |
9 |
9 |
- |
- |
- |
- |
1+4 |
- |
- |
- |
- |
3+6 |
- |
1+8 |
|
M |
I |
R |
I |
A |
M |
|
|
5 |
|
|
|
|
|
|
|
6 |
MIRIAM |
- |
- |
- |
|
M |
13 |
4 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
A+M |
14 |
5 |
|
6 |
MIRIAM |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
M |
= |
13 |
|
MAGI |
30 |
21 |
|
M |
= |
13 |
|
MAGIC |
33 |
24 |
|
M |
= |
13 |
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
8 |
MAGICIAN |
57 |
39 |
3 |
5 |
MAGIC |
33 |
24 |
6 |
13 |
Add to Reduce |
90 |
63 |
9 |
1+3 |
Reduce to Deduce |
9+0 |
6+3 |
- |
4 |
Essence of Number |
9 |
9 |
9 |
15 |
HARMONIC CONCORD |
19 |
10 |
1 |
N |
HARMONIC |
81 |
45 |
|
7 |
CONCORD |
72 |
36 |
|
|
HARMONIC CONCORD |
153 |
81 |
18 |
1+5 |
- |
1+5+3 |
8+1 |
1+8 |
|
HARMONIC CONCORD |
9 |
9 |
9 |
IN SEARCH OF THE MIRACULOUS
Fragments of an Unknown Teaching
P.D.Oupensky 1878- 1947
Page 217
" 'A man may be born, but in order to be born he must first die, and in order to die he must first awake.' "
" 'When a man awakes he can die; when he dies he can be born' "
THE TIBETAN BOOK OF THE DEAD
Or
The After Death Experience on the Bardo Plane,
according to Lama Kazi Dawa-Samdup's English Rendering
Compiled and edited Edited by W. Y. Evans-Wentz 1960
Facing Preface To The Paperback Edition
'Thou shalt understand that it is a science most profitable, and passing all other sciences, for to learn to die. For a man to know that he shall die, that is common to all men; as much as there is no man that may ever live or he hath hope or trust thereof; but thou shalt find full few that have this callning to learn to die. . . . I shall give thee the mystery of this doctrine; the which shall profit thee greatly to the beginning of ghostly health, and to a stable fundament of all virtues. '- OrologiumSapientiae.
'Against his will he dieth that hath not learned to die. Learn to die and thou shalt learn to live, for there shall none learn to live that hath not learned to die.'-Toure of all Toures: and Teacheth a Man for to Die.
The Book of the Craft of Dying (Comper's Edition).
'\Vhatever is here, that is there; what is there, the same is here. He who seeth here as different, meeteth death after death.
'By mind alone this is to be realized, and [then] there is no difference here. From death to death he goeth, who seeth as if there is dificrence here.'-Katha Upanishad, iv. 10-11 (Swami Sharvanallda's Translation)"
Facing Preface to the Second Edition
BONDAGE TO REBIRTH
"As a man's desire is, so is his destiny. For as his desire is, so is his will; and as his will is, so is his deed; and as his deed is, so is his reward, whether good or bad.
' A man acteth according to the desires to which he clingeth. After death he goeth to the next world bearing in his mind the subtle impressions of his deeds; and, after reaping there the harvest of his deeds, he returneth again to this world of action. Thus he who hath desire continueth subject to rebirth.' "
Brihadaranyaka Upanishad
FREEDOM FROM REBIRTH
'He who lacketh discrimination, whose mind is unsteady and whose heart is impure, never reacheth the goal, but is born again and again. But he who hath discrimination, whose mind is steady and whose heart is pure, reacheth the goal, and having reached it is born no more.'
Katha U panishad.
(Swami Prabhavananda's and Frederick
Manchester's Translations).
Page xi
SRI KRISHNA'S REMEMBERING
'Many lives Arjuna, you and I have lived.
I remember them all but thou dost not.'
Bhagavad Gita, iv, 5., iv, 5.
Page xx
"......... Denison........."
INCARNATION
THE DEAD RETURN
Daniel Easterman 1998
Page 99
"........David........."
Page 3
"The old man's name was Dennison"
1 |
I |
11 |
2 |
9 |
2 |
ME |
18 |
9 |
9 |
3 |
EGO |
27 |
18 |
9 |
4 |
OGRE |
45 |
27 |
9 |
10 |
EGOCENTRIC |
99 |
54 |
9 |
10 |
CONSCIENCE |
90 |
45 |
9 |
3 |
|
33 |
15 |
|
5 |
|
80 |
26 |
|
4 |
|
45 |
18 |
|
|
First Total |
|
|
|
1+2 |
Add to Reduce |
1+5+8 |
5+9 |
2+3 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
|
|
Essence of Number |
|
|
|
3 |
|
33 |
15 |
|
7 |
|
108 |
36 |
|
2 |
|
21 |
12 |
|
7 |
|
95 |
32 |
|
|
First Total |
|
|
|
1+9 |
Add to Reduce |
2+5+7 |
9+5 |
2+3 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
|
|
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
|
75 |
21 |
|
3 |
|
33 |
15 |
|
5 |
|
51 |
24 |
|
6 |
|
53 |
35 |
|
|
First Total |
|
|
|
2+0 |
Add to Reduce |
2+1+2 |
9+5 |
2+3 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
- |
1+4 |
|
|
Essence of Number |
|
|
|
19 |
|
257 |
95 |
|
20 |
|
212 |
95 |
|
|
First Total |
|
|
|
3+9 |
Add to Reduce |
4+6+9 |
1+9+0 |
1+0 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+9 |
1+0 |
|
|
Third Total |
|
|
|
|
Reduce to Deduce |
1+0 |
- |
|
|
Essence of Number |
|
|
|
12 |
|
164 |
56 |
|
3 |
|
19 |
10 |
|
9 |
|
83 |
56 |
|
6 |
DHARMA |
67 |
13 |
4 |
|
D |
4 |
4 |
|
|
H+A |
9 |
9 |
|
|
R |
18 |
9 |
|
|
M+A |
14 |
5 |
|
6 |
DHARMA |
45 |
27 |
27 |
- |
- |
4+5 |
2+7 |
2+7 |
6 |
DHARMA |
9 |
9 |
9 |
7 |
|
75 |
30 |
|
7 |
|
94 |
40 |
|
|
First Total |
|
|
|
1+4 |
Add to Reduce |
1+6+9 |
7+0 |
- |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+6 |
- |
|
|
Essence of Number |
|
|
|
THE
PATH OF PTAH
THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF
THE
VIRGIN BIRTH REBORN OF WATER
AND
SPIRIT GODS HOLY SPIRIT
AFTER
HAVING ENDURED
THE DEATH OF THE
I ME EGO SELF I SELF EGO ME I
WEIGHED IN THE BALANCE AND NOT FOUND WANTING
EVOLVE THEE THAT THOU OF LOVE LOVE LOVE OF THOU THAT THEE EVOLVE
ISISIS
THE RESURRECTION AND THE LIFE
UNLESS THAT HE AZIN SHE THAT IS THEE
IZ
BORN AGAIN I ME I AGAIN BORN
THOU CANST NOT ENTER THE KINGDOM OF EVEN
I
THE
FAMILY
THE FAMILY THE FAMILY THE FAMILY
2+8+5 6+1+4+9+3+7 2+8+5 6+1+4+9+3+7 2+8+5 6+1+4+9+3+7
THE FAMILY THE FAMILY THE FAMILY
THEFAMILYTHEFAMILYTHEFAMILY
285614937285614937285614937
ATLMEFYHI ATLMEFYHI ATLMEFYHI
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ATLMEFYHI ATLMEFYHI ATLMEFYHI
285614937285614937285614937
THEFAMILYTHEFAMILYTHEFAMILY
THE FAMILY THE FAMILY THE FAMILY
2+8+5 6+1+4+9+3+7 2+8+5 6+1+4+9+3+7 2+8+5 6+1+4+9+3+7
THE FAMILY THE FAMILY THE FAMILY
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I |
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Y |
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- |
- |
- |
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8 |
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9 |
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1+7 |
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- |
- |
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8 |
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9 |
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1+7 |
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I |
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Y |
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- |
- |
- |
2 |
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5 |
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6 |
1 |
4 |
9 |
3 |
7 |
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2+8 |
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1+0 |
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- |
- |
20 |
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5 |
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6 |
1 |
13 |
9 |
12 |
25 |
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8+2 |
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1+0 |
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I |
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Y |
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- |
- |
- |
20 |
8 |
5 |
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6 |
1 |
13 |
9 |
12 |
25 |
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9+9 |
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1+8 |
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- |
- |
2 |
8 |
5 |
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6 |
1 |
4 |
9 |
3 |
7 |
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4+5 |
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9 |
9 |
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I |
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Y |
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- |
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- |
- |
- |
- |
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1 |
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occurs |
x |
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= |
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2 |
- |
- |
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occurs |
x |
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= |
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- |
- |
- |
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3 |
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occurs |
x |
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= |
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- |
- |
- |
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4 |
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occurs |
x |
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= |
4 |
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- |
- |
5 |
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occurs |
x |
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= |
5 |
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- |
- |
- |
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occurs |
x |
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= |
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- |
- |
- |
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7 |
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occurs |
x |
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= |
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- |
8 |
- |
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occurs |
x |
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= |
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- |
- |
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9 |
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occurs |
x |
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= |
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I |
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Y |
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4+5 |
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- |
- |
- |
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|
4+5 |
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|
4+5 |
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I |
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Y |
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- |
- |
2 |
8 |
5 |
|
6 |
1 |
4 |
9 |
3 |
7 |
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- |
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- |
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9 |
T |
H |
E |
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I |
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Y |
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S |
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6 |
|
3 |
SIX |
52 |
25 |
7 |
N |
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|
9 |
|
4 |
NINE |
42 |
24 |
6 |
|
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|
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- |
- |
- |
- |
13 |
|
|
|
- |
1+5 |
|
8 |
THIRTEEN |
99 |
45 |
9 |
|
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- |
- |
- |
- |
- |
|
|
|
- |
|
- |
- |
- |
- |
- |
- |
G |
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|
3 |
GOD |
26 |
17 |
8 |
C |
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8 |
CREATORS |
99 |
36 |
9 |
|
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3 |
THE |
33 |
15 |
6 |
S |
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|
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|
6 |
SPIRIT |
91 |
37 |
1 |
O |
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|
2 |
OF |
21 |
12 |
3 |
T |
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|
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|
3 |
THE |
33 |
15 |
6 |
S |
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|
6 |
SPIRAL |
75 |
30 |
3 |
|
|
22 |
|
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|
31 |
First Total |
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|
2+2 |
|
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|
3+1 |
Add to Reduce |
3+7+8 |
1+6+2 |
3+6 |
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|
4 |
|
|
|
4 |
Second Total |
|
9 |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
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Essence of Number |
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|
THE MAGIC MOUNTAIN
Thomas Mann
1875-1955
Page 466
"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and
voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
- |
- |
- |
- |
O |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
A |
T |
O |
N |
E |
N |
O |
T |
A |
- |
- |
- |
- |
M |
- |
- |
- |
- |
- |
- |
- |
- |
E |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
L |
- |
- |
- |
- |
- |
- |
- |
- |
L |
- |
- |
- |
- |
- |
- |
- |
- |
Y |
- |
- |
- |
- |
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
- |
- |
- |
- |
O |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
A |
T |
O |
N |
E |
M |
E |
N |
T |
- |
- |
- |
- |
M |
- |
- |
- |
- |
- |
- |
- |
- |
E |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
- |
- |
- |
- |
C |
- |
- |
- |
- |
- |
- |
- |
- |
R |
- |
- |
- |
- |
- |
- |
- |
- |
U |
- |
- |
- |
- |
- |
- |
- |
- |
C |
- |
- |
- |
- |
C |
R |
U |
C |
I |
F |
I |
E |
D |
- |
- |
- |
- |
F |
- |
- |
- |
- |
- |
- |
- |
- |
I |
- |
- |
- |
- |
- |
- |
- |
- |
E |
- |
- |
- |
- |
- |
- |
- |
- |
D |
- |
- |
- |
- |
- |
- |
- |
- |
- |
C |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
U |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
C |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
- |
- |
- |
- |
- |
C |
R |
U |
C |
I |
F |
I |
X |
I |
O |
N |
- |
- |
- |
- |
- |
I |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
X |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
O |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
4 |
TRUE |
64 |
19 |
1 |
5 |
DEATH |
38 |
20 |
2 |
2 |
ON |
29 |
11 |
2 |
3 |
THE |
33 |
15 |
6 |
5 |
CROSS |
74 |
20 |
2 |
24 |
First Total |
|
|
|
2+4 |
Add to Reduce |
2+7+1 |
1+0+0 |
1+9 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
- |
- |
|
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
4 |
TRUE |
64 |
19 |
1 |
9 |
ATONEMENT |
107 |
35 |
8 |
16 |
First Total |
|
|
|
1+6 |
Add to Reduce |
2+0+4 |
6+9 |
1+5 |
7 |
Second Total |
|
|
|
|
Reduce to Deduce |
- |
1+5 |
- |
|
Essence of Number |
|
|
|
2 |
I+S |
28 |
19 |
1 |
3 |
THE |
33 |
15 |
6 |
4 |
SELF |
42 |
15 |
6 |
11 |
CRUCIFIXION |
131 |
68 |
5 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
11 |
CRUCIFIXION |
131 |
68 |
5 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
4 |
SELF |
42 |
15 |
6 |
45 |
Add to Reduce |
|
|
|
4+5 |
Add to Reduce |
5+1+5 |
2+5+4 |
4+7 |
9 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+1 |
1+1 |
1+1 |
|
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
4 |
TRUE |
64 |
19 |
1 |
5 |
DEATH |
38 |
20 |
2 |
2 |
ON |
29 |
11 |
2 |
3 |
THE |
33 |
15 |
6 |
5 |
CROSS |
74 |
20 |
2 |
3 |
THE |
33 |
15 |
6 |
4 |
TRUE |
64 |
19 |
1 |
9 |
ATONEMENT |
107 |
35 |
8 |
2 |
I+S |
28 |
19 |
1 |
3 |
THE |
33 |
15 |
6 |
4 |
SELF |
42 |
15 |
6 |
11 |
CRUCIFIXION |
131 |
68 |
5 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
11 |
CRUCIFIXION |
131 |
68 |
5 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
4 |
SELF |
42 |
15 |
6 |
83 |
First Total |
|
|
|
8+3 |
Add to Reduce |
9+9+0 |
4+2+3 |
8+1 |
11 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
88 |
52 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
|
97 |
52 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
66 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
80 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
3 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
3 |
|
18 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+3 |
|
5+2 |
Add to Reduce |
5+5+8 |
2+7+0 |
7+2 |
|
|
|
|
|
|
|
2+8 |
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
1+0 |
1+0 |
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
AT ONE MENTALLY GODS MENTALLY AT ONE
11 |
CRUCIFIXION |
- |
- |
- |
|
- |
|
|
- |
|
C |
3 |
3 |
3 |
|
3 |
|
|
- |
|
R |
18 |
9 |
9 |
|
- |
|
|
9 |
|
U |
21 |
3 |
3 |
|
3 |
|
|
- |
|
C |
3 |
3 |
3 |
|
3 |
|
|
- |
|
I |
9 |
9 |
9 |
|
- |
|
|
9 |
|
F |
6 |
6 |
6 |
|
|
|
6 |
- |
|
I |
9 |
9 |
9 |
|
|
|
- |
9 |
|
X |
24 |
6 |
6 |
|
|
|
6 |
- |
|
I |
9 |
9 |
9 |
|
|
|
- |
9 |
|
O |
15 |
6 |
6 |
|
|
|
6 |
- |
|
N |
14 |
5 |
5 |
|
|
5 |
|
|
11 |
CRUCIFIXION |
131 |
68 |
68 |
|
9 |
5 |
18 |
36 |
1+1 |
- |
1+3+1 |
6+8 |
6+8 |
|
|
- |
1+8 |
3+6 |
2 |
CRUCIFIXION |
5 |
14 |
14 |
|
9 |
5 |
9 |
9 |
- |
- |
- |
1+4 |
1+4 |
|
|
- |
|
|
2 |
CRUCIFIXION |
5 |
5 |
5 |
|
|
5 |
|
|
9 |
CRUCIFIED |
|
|
|
|
- |
|
|
|
|
3 |
3 |
3 |
|
3 |
|
- |
|
R |
18 |
9 |
9 |
|
- |
|
9 |
|
|
21 |
3 |
3 |
|
3 |
|
- |
|
C |
3 |
3 |
3 |
|
3 |
|
- |
|
|
9 |
9 |
9 |
|
- |
|
9 |
|
|
6 |
6 |
6 |
|
|
6 |
- |
|
|
9 |
9 |
9 |
|
|
- |
9 |
|
|
9 |
9 |
9 |
|
- |
|
9 |
9 |
CRUCIFIED |
78 |
51 |
51 |
|
9 |
6 |
36 |
- |
- |
7+8 |
5+1 |
5+1 |
|
|
- |
3+6 |
9 |
CRUCIFIED |
15 |
6 |
6 |
|
9 |
6 |
9 |
- |
- |
1+5 |
- |
- |
|
|
- |
|
9 |
CRUCIFIED |
6 |
6 |
6 |
|
|
6 |
|
7 |
CRUCIFY |
|
|
|
|
- |
|
|
|
|
|
3 |
3 |
3 |
|
3 |
|
|
- |
|
R |
18 |
9 |
9 |
|
- |
|
|
9 |
|
|
21 |
3 |
3 |
|
3 |
|
|
- |
|
C |
3 |
3 |
3 |
|
3 |
|
|
- |
|
|
9 |
9 |
9 |
|
- |
|
|
9 |
|
|
6 |
6 |
6 |
|
|
6 |
|
|
|
|
25 |
7 |
7 |
|
- |
|
|
|
7 |
CRUCIFY |
67 |
40 |
51 |
|
9 |
6 |
7 |
18 |
- |
- |
6+7 |
4+0 |
5+1 |
|
|
- |
- |
1+8 |
7 |
CRUCIFY |
13 |
4 |
6 |
|
9 |
6 |
7 |
9 |
- |
- |
1+3 |
- |
- |
|
|
- |
- |
|
7 |
CRUCIFY |
4 |
4 |
6 |
|
|
6 |
7 |
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
6 |
9 |
|
|
|
|
6 |
|
|
|
|
|
|
2+1 |
= |
|
= |
|
|
|
- |
|
24 |
9 |
|
|
|
|
15 |
|
|
|
|
|
|
4+8 |
= |
|
1+2 |
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
7 |
5 |
- |
2 |
|
2 |
5 |
3 |
|
|
|
2+4 |
= |
|
= |
|
|
|
- |
|
|
|
16 |
5 |
- |
20 |
|
20 |
5 |
3 |
|
|
|
6+9 |
= |
|
1+5 |
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
24 |
9 |
16 |
5 |
- |
20 |
15 |
20 |
5 |
3 |
|
|
|
1+1+7 |
= |
|
|
|
|
|
- |
|
6 |
9 |
7 |
5 |
- |
2 |
6 |
2 |
5 |
3 |
|
|
|
4+5 |
= |
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
- |
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
- |
- |
|
|
- |
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
4 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
-- |
|
- |
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+0 |
|
- |
-- |
|
- |
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+2 |
|
- |
- |
|
- |
|
- |
- |
|
|
|
- |
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
|
- |
|
- |
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
13 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3+2 |
- |
|
|
- |
4+5 |
- |
2+7 |
4 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
6 |
9 |
7 |
5 |
- |
2 |
6 |
2 |
5 |
3 |
|
|
|
|
|
|
|
- |
- |
|
4 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE FLAYED ONE
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
9 |
|
|
|
|
6 |
|
|
|
|
|
|
2+1 |
= |
|
= |
|
|
|
|
24 |
9 |
|
|
|
|
15 |
|
|
|
|
|
|
4+8 |
= |
|
1+2 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
7 |
5 |
- |
2 |
|
2 |
5 |
3 |
|
|
|
2+4 |
= |
|
= |
|
|
|
|
|
|
16 |
5 |
- |
20 |
|
20 |
5 |
3 |
|
|
|
6+9 |
= |
|
1+5 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
24 |
9 |
16 |
5 |
- |
20 |
15 |
20 |
5 |
3 |
|
|
|
1+1+7 |
= |
|
|
|
|
|
|
6 |
9 |
7 |
5 |
- |
2 |
6 |
2 |
5 |
3 |
|
|
|
4+5 |
= |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
|
|
- |
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
- |
- |
|
|
- |
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+0 |
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+2 |
|
|
|
- |
|
- |
- |
|
|
|
- |
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
- |
|
- |
|
- |
|
- |
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+2 |
- |
|
|
- |
4+5 |
- |
2+7 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
9 |
7 |
5 |
- |
2 |
6 |
2 |
5 |
3 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
6 |
|
3 |
SIX |
52 |
25 |
7 |
N |
|
|
|
9 |
|
4 |
NINE |
42 |
24 |
6 |
|
|
|
|
|
|
- |
- |
- |
- |
13 |
|
|
|
- |
1+5 |
|
8 |
THIRTEEN |
99 |
45 |
9 |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
- |
- |
- |
- |
- |
- |
G |
|
|
|
|
|
3 |
GOD |
26 |
17 |
8 |
C |
|
|
|
|
|
8 |
CREATORS |
99 |
36 |
9 |
T |
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
S |
|
|
|
|
|
6 |
SPIRIT |
91 |
37 |
1 |
O |
|
|
|
|
|
2 |
OF |
21 |
12 |
3 |
T |
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
S |
|
|
|
|
|
6 |
SPIRAL |
75 |
30 |
3 |
|
|
22 |
|
|
|
31 |
First Total |
|
|
|
|
|
2+2 |
|
|
|
3+1 |
Add to Reduce |
3+7+8 |
1+6+2 |
3+6 |
|
|
4 |
|
|
|
4 |
Second Total |
|
9 |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
NAMASTE
PEACE LOVE AND LIGHT UNTO ALL SENTIENT BEINGS
HOLY BIBLE
Scofield References
Page 1117
A.D. 30.
Jesus answered and said unto him, Verily, verily,
I say unto thee, Except a man be born again,
He cannot see the kingdom of God.
St John Chapter 3 verse 3
3 + 3 3 x 3
6 x 9
54
5 + 4
9
WAY OF THE PEACEFUL WARRIOR
A
BOOK THAT CHANGES LIVES
Dan Millman 1980
Page 44
"...do you recall that I told you we must work on changing your mind before you can see the warrior's way? / Page 45 / "Yes, but I really don't think. . ."
"Don't be afraid," he repeated. "Comfort yourself with a saying of Confucius," he smiled. " 'Only the supremely wise and the ignorant do not alter.' " Saying that, he reached out and placed his hands gently but firmly on my temples.
Nothing happened for a moment-then suddenly, I felt a growing pressure in the middle of my head. There was a loud buzzing, then a sound like waves rushing up on the beach. I heard bells ringing, and my head felt as if it was going to burst. That's when I saw the light, and my mind exploded with its brightness. Something in me was dying I knew this for a certainty-and something else was being born Then the light engulfed everything."
IN SEARCH OF THE MIRACULOUS
Fragments of an Unknown Teaching
P.D.Oupensky 1878- 1947
Page 217
" ' and in order to die he must first awake.' "
" 'When a man awakes he can die; when he dies he can be born' "
AND IN ORDER TO DIE HE MUST FIRST AWAKE WHEN A MAN AWAKES
HE CAN DIE WHEN HE DIES HE CAN BE BORN
A |
|
1 |
- |
3 |
AND |
19 |
10 |
1 |
I |
|
9 |
- |
2 |
IN |
23 |
14 |
5 |
O |
|
6 |
- |
5 |
ORDER |
60 |
33 |
6 |
T |
|
2 |
- |
2 |
TO |
35 |
8 |
8 |
D |
|
4 |
- |
3 |
DIE |
18 |
18 |
9 |
H |
|
8 |
- |
2 |
HE |
13 |
13 |
4 |
M |
|
4 |
- |
4 |
MUST |
73 |
10 |
1 |
F |
|
6 |
- |
5 |
FIRST |
72 |
27 |
9 |
A |
|
1 |
- |
5 |
AWAKE |
41 |
14 |
5 |
W |
|
5 |
- |
4 |
WHEN |
50 |
23 |
5 |
A |
|
1 |
- |
1 |
A |
1 |
1 |
1 |
M |
|
4 |
- |
3 |
MAN |
28 |
10 |
1 |
A |
|
1 |
- |
6 |
AWAKES |
60 |
15 |
6 |
H |
|
8 |
- |
2 |
HE |
13 |
13 |
4 |
C |
|
3 |
- |
3 |
CAN |
18 |
9 |
9 |
D |
|
4 |
- |
3 |
DIE |
18 |
18 |
9 |
W |
|
5 |
- |
4 |
WHEN |
50 |
23 |
5 |
H |
|
8 |
- |
2 |
HE |
13 |
13 |
4 |
D |
|
4 |
- |
4 |
DIES |
37 |
19 |
1 |
H |
|
8 |
- |
2 |
HE |
13 |
13 |
4 |
C |
|
3 |
- |
3 |
CAN |
18 |
9 |
9 |
B |
|
2 |
- |
2 |
BE |
7 |
7 |
7 |
B |
|
2 |
- |
4 |
BORN |
49 |
22 |
4 |
- |
- |
99 |
|
74 |
First Total |
|
|
|
- |
- |
9+9 |
|
7+4 |
Add to Reduce |
7+2+9 |
3+3+3 |
1+1+7 |
Q |
- |
18 |
|
|
Second Total |
18 |
9 |
9 |
- |
- |
1+8 |
|
1+1 |
Reduce to Deduce |
1+8 |
Q |
- |
- |
- |
|
|
|
Essence of Number |
|
|
|
IN SEARCH OF THE MIRACULOUS
Fragments of an Unknown Teaching
P.D.Oupensky 1878- 1947
Page 217
" 'A man may be born, but in order to be born he must first die, and in order to die he must first awake.' "
" 'When a man awakes he can die; when he dies he can be born' "
A MAN MAY BE BORN BUT IN ORDER TO BE BORN HE MUST FIRST DIE AND IN ORDER TO DIE
HE MUST FIRST AWAKE WHEN A MAN AWAKES HE CAN DIE WHEN HE DIES HE CAN BE BORN
A |
|
1 |
- |
1 |
A |
1 |
1 |
1 |
M |
|
4 |
- |
3 |
MAN |
28 |
10 |
1 |
M |
|
4 |
- |
3 |
MAY |
39 |
12 |
3 |
B |
|
2 |
- |
2 |
BE |
7 |
7 |
7 |
B |
|
2 |
- |
4 |
BORN |
49 |
22 |
4 |
B |
|
2 |
- |
3 |
BUT |
43 |
7 |
7 |
I |
|
9 |
- |
2 |
IN |
23 |
14 |
5 |
O |
|
6 |
- |
5 |
ORDER |
60 |
33 |
6 |
T |
|
2 |
- |
2 |
TO |
35 |
8 |
8 |
B |
|
2 |
- |
2 |
BE |
7 |
7 |
7 |
B |
|
2 |
- |
4 |
BORN |
49 |
22 |
4 |
H |
|
8 |
- |
2 |
HE |
13 |
13 |
4 |
M |
|
4 |
- |
4 |
MUST |
73 |
10 |
1 |
F |
|
6 |
- |
5 |
FIRST |
72 |
27 |
9 |
D |
|
4 |
- |
3 |
DIE |
18 |
18 |
9 |
A |
|
1 |
- |
3 |
AND |
19 |
10 |
1 |
I |
|
9 |
- |
2 |
IN |
23 |
14 |
5 |
O |
|
6 |
- |
5 |
ORDER |
60 |
33 |
6 |
T |
|
2 |
- |
2 |
TO |
35 |
8 |
8 |
D |
|
4 |
- |
3 |
DIE |
18 |
18 |
9 |
H |
|
8 |
- |
2 |
HE |
13 |
13 |
4 |
M |
|
4 |
- |
4 |
MUST |
73 |
10 |
1 |
F |
|
6 |
- |
5 |
FIRST |
72 |
27 |
9 |
A |
|
1 |
- |
5 |
AWAKE |
41 |
14 |
5 |
W |
|
5 |
- |
4 |
WHEN |
50 |
23 |
5 |
A |
|
1 |
- |
1 |
A |
1 |
1 |
1 |
M |
|
4 |
- |
3 |
MAN |
28 |
10 |
1 |
A |
|
1 |
- |
6 |
AWAKES |
60 |
15 |
6 |
H |
|
8 |
- |
2 |
HE |
13 |
13 |
4 |
C |
|
3 |
- |
3 |
CAN |
18 |
9 |
9 |
D |
|
4 |
- |
3 |
DIE |
18 |
18 |
9 |
W |
|
5 |
- |
4 |
WHEN |
50 |
23 |
5 |
H |
|
8 |
- |
2 |
HE |
13 |
13 |
4 |
D |
|
4 |
- |
4 |
DIES |
37 |
19 |
1 |
H |
|
8 |
- |
2 |
HE |
13 |
13 |
4 |
C |
|
3 |
- |
3 |
CAN |
18 |
9 |
9 |
B |
|
2 |
- |
2 |
BE |
7 |
7 |
7 |
B |
|
2 |
- |
4 |
BORN |
49 |
22 |
4 |
- |
- |
157 |
|
119 |
First Total |
|
|
|
- |
- |
1+5+7 |
|
1+1+9 |
Add to Reduce |
1+2+4+6 |
5+4+4 |
1+9+3 |
Q |
- |
13 |
|
|
Second Total |
13 |
13 |
13 |
- |
- |
1+3 |
|
1+1 |
Reduce to Deduce |
1+3 |
1+3 |
1+3 |
- |
- |
|
|
|
Essence of Number |
|
|
|
1 |
I |
9 |
9 |
9 |
3 |
THE |
33 |
15 |
6 |
8 |
ILLUSION |
111 |
39 |
3 |
4 |
THAT |
49 |
13 |
4 |
2 |
IS |
28 |
19 |
1 |
2 |
ME |
18 |
9 |
9 |
20 |
First Total |
|
|
|
2+0 |
Add to Reduce |
2+4+8 |
1+0+4 |
3+2 |
2 |
Second Total |
|
|
|
9 |
Reduce to Deduce |
1+4 |
- |
- |
|
Essence of Number |
|
|
|
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
I |
= |
9 |
- |
8 |
ILLUSION |
111 |
39 |
3 |
- |
- |
20 |
- |
18 |
Add to Reduce |
|
|
|
- |
- |
2+0 |
- |
1+8 |
Reduce to Deduce |
2+3+4 |
9+0 |
1+8 |
- |
- |
2 |
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
11 |
39 |
3 |
|
|
|
|
|
1+1 |
|
1+4+4 |
5+4 |
- |
|
|
|
|
|
|
|
|
|
|
1 |
I |
9 |
9 |
9 |
1 |
L |
12 |
3 |
3 |
1 |
L |
12 |
3 |
3 |
1 |
U |
21 |
3 |
3 |
1 |
S |
19 |
10 |
1 |
1 |
I |
9 |
9 |
9 |
2 |
O+N |
29 |
11 |
2 |
|
|
|
|
|
- |
|
1+1+1 |
4+8 |
3+0 |
|
|
|
|
|
- |
|
- |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
1 |
I |
9 |
9 |
9 |
1 |
L+L+U |
45 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
1 |
I |
9 |
9 |
9 |
2 |
O+N |
29 |
11 |
2 |
|
|
|
|
|
- |
|
1+1+1 |
4+8 |
3+0 |
|
|
|
|
|
- |
|
- |
1+2 |
- |
|
|
|
|
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|
- |
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|
- |
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- |
- |
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|
- |
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|
9 |
|
|
- |
|
8 |
|
- |
9 |
|
|
|
1 |
9 |
6 |
5 |
|
|
|
4+7 |
|
|
1+1 |
|
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|
- |
|
|
|
|
9 |
|
|
- |
|
8 |
|
- |
9 |
|
|
|
19 |
9 |
15 |
14 |
|
|
|
8+3 |
|
|
1+1 |
|
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- |
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- |
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- |
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|
- |
9 |
5 |
1 |
3 |
|
2 |
7 |
- |
2 |
|
5 |
- |
|
3 |
3 |
3 |
|
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|
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|
4+3 |
|
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|
- |
18 |
5 |
1 |
12 |
|
20 |
25 |
- |
20 |
|
5 |
- |
|
12 |
12 |
21 |
|
|
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|
1+5+1 |
|
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- |
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- |
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- |
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- |
18 |
5 |
1 |
12 |
9 |
20 |
25 |
- |
20 |
8 |
5 |
- |
9 |
12 |
12 |
21 |
19 |
9 |
15 |
14 |
|
|
|
2+3+4 |
|
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|
|
- |
9 |
5 |
1 |
3 |
9 |
2 |
7 |
- |
2 |
8 |
5 |
- |
9 |
3 |
3 |
3 |
1 |
9 |
6 |
5 |
|
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|
9+0 |
|
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18 |
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- |
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- |
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- |
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- |
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- |
- |
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- |
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occurs |
x |
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= |
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occurs |
x |
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= |
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occurs |
x |
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= |
12 |
1+2 |
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occurs |
x |
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= |
15 |
1+5 |
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occurs |
x |
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= |
6 |
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occurs |
x |
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= |
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occurs |
x |
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= |
8 |
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- |
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- |
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occurs |
x |
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= |
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3+6 |
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- |
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4+1 |
1+8 |
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- |
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- |
- |
- |
|
- |
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|
4+1 |
|
|
1+8 |
|
9+0 |
|
4+5 |
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- |
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- |
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- |
9 |
5 |
1 |
3 |
9 |
2 |
7 |
- |
2 |
8 |
5 |
- |
9 |
3 |
3 |
3 |
1 |
9 |
6 |
5 |
|
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- |
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- |
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M |
= |
4 |
- |
4 |
MAYA |
40 |
13 |
4 |
T |
= |
2 |
- |
2 |
SO |
34 |
7 |
7 |
B |
= |
2 |
- |
7 |
BECOMES |
62 |
26 |
8 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
I |
= |
9 |
- |
8 |
ILLUSION |
111 |
39 |
3 |
- |
- |
19 |
- |
22 |
First Total |
|
100 |
|
- |
- |
1+9 |
- |
2+2 |
Add to Reduce |
2+8+0 |
1+0+0 |
2+8 |
- |
- |
|
- |
4 |
Second Total |
|
|
|
- |
- |
1+0 |
- |
- |
Reduce to Deduce |
1+0 |
- |
1+0 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
H |
= |
8 |
- |
4 |
HOLY |
60 |
24 |
6 |
M |
= |
4 |
- |
5 |
MAGIC |
33 |
24 |
6 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
I |
= |
9 |
- |
2 |
IS |
19 |
10 |
1 |
M |
= |
4 |
- |
4 |
MAYA |
40 |
13 |
4 |
- |
- |
29 |
- |
22 |
First Total |
|
99 |
|
- |
- |
2+9 |
- |
2+2 |
Add to Reduce |
2+3+4 |
9+9 |
2+7 |
- |
- |
|
- |
4 |
Second Total |
|
|
|
- |
- |
1+1 |
- |
- |
Reduce to Deduce |
- |
1+8 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
MAYA YAMA LIFE DEATH THREADS LIFE I ME I LIFE THREADS DEATH LIFE YAMA MAYA
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
I |
= |
9 |
- |
8 |
ILLUSION |
111 |
39 |
3 |
- |
- |
29 |
- |
22 |
First Total |
|
2+7+0 |
|
- |
- |
2+9 |
- |
2+2 |
Add to Reduce |
2+7+0 |
|
1+8 |
- |
- |
11 |
- |
4 |
Second Total |
|
|
|
- |
- |
1+1 |
- |
- |
Reduce to Deduce |
- |
- |
- |
- |
- |
2 |
- |
|
Essence of Number |
|
|
|
UNCONDITIONAL LIFE
MASTERING THE FORCES THAT SHAPE PERSONAL REALITY
Deepak Chopra 1991
A Mirage of Miracles
Page 89
"The Mask of Maya"
"...denoting the ability of gods to change form, to make worlds, to assume masks and disguises."
"Maya also means magic a show of illusions"
"Maya also denotes the delusion of thinking that you are seeing reality when in fact you are only seeing a layer of trick effects superimposed upon the real reality
True to its deceptive nature, Maya is full of paradoxes. First of all it is everywhere, even though it doesnt exist. It is / Page 90 / often compared with a desert mirage, yet unlike a mirage Maya does not merely float "out there" The Mysterious One is nowhere if not in each person. Finally Maya is not so omnipotent that we cannot control it - and that is the key point Maya is fearfull or diverting all powerful or completely impotent depending on your perspective."
"The fearfull illusion becomes a wonderful show if only you can manipulate it."
THE WINDMILLS OF YOUR MIND
Round,
Like a circle in a spiral
Like a wheel within a wheel,
Never ending or beginning,
On an ever-spinning reel
Like a snowball down a mountain,
Or a carnival balloon
Like a carousel that's turning
Running rings around the moon
Like a clock whose hands are sweeping
Past the minutes on its face
And the world is like an apple
Spinning silently in space
Like the circles that you find
In the windmills of your mind!
Like a tunnel that you follow
To a tunnel of its own
Down a hollow to a cavern
Where the sun has never shone
Like a door that keeps revolving
In a half-forgotten dream
Like the ripples from a pebble
Someone tosses in a stream.
Like a clock whose hands are sweeping
Past the minutes on its face
And the world is like an apple
Spinning silently in space
Like the circles that you find
In the windmills of your mind!
Keys that jingle in your pocket
Words that jangle in your head
Why did summer go so quickly?
Was it something that I said?
Lovers walk along a shore
And leave their footprints in the sand
Was the sound of distant drumming
Just the fingers of your hand?
Pictures hanging in a hallway
or the fragment of a song,
half-remembered names and faces
but to whom do they belong?
When you knew that it was over
Were you suddenly aware
That the autumn leaves were turning
To the colour of her hair?
Like a circle in a spiral
Like a wheel within a wheel
Never ending or beginning
On an ever-spinning reel
As the images unwind
Like the circles that you find
In the windmills of your mind
R |
= |
9 |
- |
5 |
ROUND |
72 |
27 |
9 |
L |
= |
3 |
- |
4 |
LIKE |
37 |
19 |
1 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
C |
= |
3 |
- |
6 |
CIRCLE |
50 |
32 |
5 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
S |
= |
1 |
- |
6 |
SPIRAL |
75 |
30 |
3 |
L |
= |
3 |
- |
4 |
LIKE |
37 |
19 |
1 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
W |
= |
5 |
- |
5 |
WHEEL |
53 |
26 |
8 |
W |
= |
5 |
- |
6 |
WITHIN |
83 |
38 |
2 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
W |
= |
5 |
- |
5 |
WHEEL |
53 |
26 |
8 |
- |
- |
47 |
- |
47 |
- |
487 |
235 |
46 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
N |
= |
5 |
- |
5 |
NEVER |
64 |
28 |
1 |
E |
= |
5 |
- |
6 |
ENDING |
53 |
35 |
8 |
O |
= |
6 |
- |
2 |
OR |
33 |
15 |
6 |
B |
= |
2 |
- |
9 |
BEGINNING |
81 |
54 |
9 |
O |
= |
6 |
- |
2 |
ON |
29 |
11 |
2 |
A |
= |
1 |
- |
2 |
AN |
15 |
6 |
6 |
E |
= |
5 |
- |
4 |
EVER |
50 |
23 |
5 |
S |
= |
1 |
- |
8 |
SPINNING |
102 |
48 |
3 |
R |
= |
9 |
- |
4 |
REEL |
40 |
22 |
4 |
- |
- |
40 |
- |
42 |
- |
467 |
242 |
44 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
- |
2 |
AS |
20 |
2 |
2 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
I |
= |
9 |
- |
6 |
IMAGES |
54 |
27 |
9 |
U |
= |
3 |
- |
6 |
UNWIND |
85 |
31 |
4 |
L |
= |
3 |
- |
4 |
LIKE |
37 |
19 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
C |
= |
3 |
- |
7 |
CIRCLES |
69 |
33 |
6 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
Y |
= |
7 |
- |
3 |
YOU |
61 |
16 |
7 |
F |
= |
6 |
- |
4 |
FIND |
33 |
24 |
6 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
W |
= |
5 |
- |
9 |
WINDMILLS |
115 |
43 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
Y |
= |
7 |
- |
4 |
YOUR |
79 |
25 |
7 |
M |
= |
4 |
- |
4 |
MIND |
40 |
22 |
4 |
- |
- |
71 |
- |
66 |
- |
785 |
326 |
83 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
S |
- |
158 |
|
155 |
First Total |
|
|
|
- |
- |
1+5+8 |
- |
1+5+5 |
Add to Reduce |
1+7+3+9 |
1+0+8 |
1+7+3 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
1+4 |
- |
1+1 |
Reduce to Deduce |
2+0 |
1+1 |
1+1 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
THAT OLD WHEEL
(Pierce)
Johnny Cash & Hank Williams
(Chorus) That old wheel is gonna roll around once more
When it does it will even up the score
Don’t be weak: as they sew, they will reap
Turn the other cheek and don’t give in
That old wheel will roll around again
When love is gone and the one you thought would stay
Does you wrong, and you’re left alone to pay
The price is high
But somehow you’ll survive, don’t give in
That old wheel will roll around again
(Chorus)
There’ll be times, hard to control
And you’ll find you’ll hurt down in your soul
There’ll be those who’ll be glad to see you down
But don’t give in, that old wheel will roll around again
(Chorus x 2)
Roll around, around, again, again
K |
= |
2 |
- |
4 |
KNOW |
63 |
18 |
9 |
T |
= |
2 |
- |
7 |
THYSELF |
95 |
32 |
5 |
S |
- |
4 |
|
11 |
First Total |
|
|
|
- |
- |
- |
- |
1+1 |
Add to Reduce |
1+5+8 |
5+0 |
1+4 |
- |
- |
4 |
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+4 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
5 |
6 |
|
|
|
8 |
|
1 |
|
|
|
|
|
|
2+0 |
|
|
|
|
|
|
- |
- |
|
14 |
15 |
|
|
|
8 |
|
19 |
|
|
|
|
|
|
5+6 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
- |
- |
2 |
|
|
5 |
|
2 |
|
7 |
|
5 |
3 |
6 |
|
|
|
3+0 |
|
|
|
|
|
|
- |
- |
11 |
|
|
23 |
|
20 |
|
25 |
|
5 |
12 |
6 |
|
|
|
1+0+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
- |
- |
11 |
14 |
15 |
23 |
- |
20 |
8 |
25 |
19 |
5 |
12 |
6 |
|
|
|
1+5+8 |
|
|
1+4 |
|
|
|
- |
- |
2 |
5 |
6 |
5 |
- |
2 |
8 |
7 |
1 |
5 |
3 |
6 |
|
|
|
5+0 |
|
|
= |
|
|
|
|
11 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
- |
|
1 |
- |
|
|
|
|
|
occurs |
x |
|
= |
1 |
= |
|
|
|
2 |
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
3 |
|
|
|
|
oocurs |
x |
|
= |
3 |
= |
|
|
|
|
|
|
|
- |
- |
- |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
6 |
- |
- |
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
|
|
|
|
- |
- |
- |
7 |
|
- |
|
|
- |
- |
|
occurs |
x |
|
= |
7 |
= |
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
|
- |
- |
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
NINE |
9 |
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
1+1 |
2 |
5 |
6 |
5 |
|
2 |
8 |
7 |
1 |
5 |
3 |
6 |
|
|
3+2 |
|
|
1+1 |
|
5+0 |
|
3+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
5 |
6 |
|
|
|
8 |
|
1 |
|
|
|
|
|
|
2+0 |
|
|
|
|
|
|
- |
|
14 |
15 |
|
|
|
8 |
|
19 |
|
|
|
|
|
|
5+6 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
- |
2 |
|
|
5 |
|
2 |
|
7 |
|
5 |
3 |
6 |
|
|
|
3+0 |
|
|
|
|
|
|
- |
11 |
|
|
23 |
|
20 |
|
25 |
|
5 |
12 |
6 |
|
|
|
1+0+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
- |
11 |
14 |
15 |
23 |
- |
20 |
8 |
25 |
19 |
5 |
12 |
6 |
|
|
|
1+5+8 |
|
|
1+4 |
|
|
|
- |
2 |
5 |
6 |
5 |
- |
2 |
8 |
7 |
1 |
5 |
3 |
6 |
|
|
|
5+0 |
|
|
= |
|
|
|
11 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
|
1 |
- |
|
|
|
|
|
occurs |
x |
|
= |
1 |
= |
|
|
2 |
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
|
- |
- |
|
|
- |
3 |
|
|
|
|
oocurs |
x |
|
= |
3 |
= |
|
|
|
|
|
5 |
|
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
6 |
- |
- |
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
|
|
|
- |
- |
- |
7 |
|
- |
|
|
- |
- |
|
occurs |
x |
|
= |
7 |
= |
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
|
- |
- |
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
2 |
5 |
6 |
5 |
|
2 |
8 |
7 |
1 |
5 |
3 |
6 |
|
|
3+2 |
|
|
1+1 |
|
5+0 |
|
3+2 |
|
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|
|
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|
|
|
|
|
|
|
- |
- |
|
- |
|
5 |
6 |
|
|
8 |
|
1 |
|
|
|
|
|
|
2+0 |
|
|
|
|
|
|
- |
|
14 |
15 |
|
|
8 |
|
19 |
|
|
|
|
|
|
5+6 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
- |
2 |
|
|
5 |
2 |
|
7 |
|
5 |
3 |
6 |
|
|
|
3+0 |
|
|
|
|
|
|
- |
11 |
|
|
23 |
20 |
|
25 |
|
5 |
12 |
6 |
|
|
|
1+0+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
- |
11 |
14 |
15 |
23 |
20 |
8 |
25 |
19 |
5 |
12 |
6 |
|
|
|
1+5+8 |
|
|
1+4 |
|
|
|
- |
2 |
5 |
6 |
5 |
2 |
8 |
7 |
1 |
5 |
3 |
6 |
|
|
|
5+0 |
|
|
= |
|
|
|
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
- |
|
1 |
- |
|
|
|
|
|
occurs |
x |
|
= |
1 |
= |
|
|
2 |
|
|
|
|
- |
|
|
- |
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
- |
- |
|
|
- |
3 |
|
|
|
|
oocurs |
x |
|
= |
3 |
= |
|
|
|
|
|
5 |
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
|
|
|
- |
- |
|
|
- |
|
6 |
- |
- |
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
|
|
|
- |
- |
7 |
|
- |
|
|
- |
- |
|
occurs |
x |
|
= |
7 |
= |
|
|
|
|
|
|
- |
|
|
|
- |
|
|
- |
- |
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
2 |
5 |
6 |
5 |
2 |
8 |
7 |
1 |
5 |
3 |
6 |
|
|
3+2 |
|
|
1+1 |
|
5+0 |
|
3+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
KNOW THYSELF |
- |
- |
- |
4 |
KNOW |
63 |
18 |
9 |
4 |
T+H+Y+S |
72 |
18 |
9 |
1 |
E |
5 |
5 |
5 |
2 |
L+F |
18 |
9 |
9 |
11 |
KNOW THYSELF |
158 |
50 |
32 |
1+1 |
- |
1+5+8 |
5+0 |
3+2 |
2 |
KNOW THYSELF |
14 |
5 |
5 |
- |
- |
1+4 |
- |
- |
2 |
KNOW THYSELF |
5 |
5 |
5 |
THE
PROPHET
Kahil Gibran
Page 82/83/84/85/86
"If these be vague words, then seek not to clear them.
Vague and nebulous is the beginning of all things, but not their end,
And I would have you remember me as a beginning.
Life, and all that lives, is conceived in the mist and not in the crystal.
And who knows but a crystal is mist in decay
This would I have you remember in remembering me:
That which seems most feeble and bewildered in you is the strongest and most determined.
Is it not your breath that has erected and hardened the structure of your bones?
And is it not a dream which none of you remember having dreamt, that builded your city and fashioned all there is in it?
Could you but see the tides of that breath you would cease to see all else,
And if you could hear the whispering of the dream you would hear no other sound.
But you do not see, nor do you here, and it is well.
The veil that clouds your eyes shall be lifted by the hands that wove it,
And the clay that fills your ears shall be pierced by those fingers that kneaded it.
And you shall see
And you shall hear.
Yet you shall not deplore having known blindness, nor regret having been deaf
For in that day you shall know the hidden purposes in all things,
And you shall bless darkness as you would bless light.
After saying these things he looked about him,
and he saw the pilot of his ship standing by the helm
and gazing now at the full sails and now at the distance.
And he said:
Patient, over patient, is the captain of my ship.
The wind blows, and restless are the sails;
Even the rudder begs direction;
Yet quietly my captain awaits my silence.
And these my mariners, who have heard the
choir of the greater sea, they too have heard me
patiently.
Now they shall wait no longer.
I am ready
The stream has reached the sea, and once more
THE GREAT MOTHER
holds her son against her breast.
Fare you well, people of Orphalese.
This day has ended.
It is closing upon us even as the water-lily upon its own tomorrow.
What was given us here we shall keep,
And if it suffices not, then again must we come together and together
stretch our hands unto the giver.
Forget not that I shall come back to you.
A little while, and my longing shall gather dust and foam for another body.
A little while, a moment of rest upon the wind, and another woman shall bear me.
Farewell to you and the youth I have spent with you.
It was but yesterday we met in a dream.
You have sung to me in my aloneness, and I of your longings have built a tower in the sky.
But now our sleep has fled and our dream is over, and it is no longer dawn.
The noontide is upon us and our half waking has turned to fuller day, and we must part.
If in the twilight of memory we should meet once more,
we shall speak again together and you shall sing to me a deeper song.
and if our hands should meet in another dream we shall build another tower in the sky.
So saying he made a signal to the seamen,
and straightaway they weighed anchor and cast the ship loose from its moorings, and they moved eastward.
And a cry came from the people as from a single heart,
and it rose into the dusk and was carried out over the sea like a great trumpeting.
Only Almitra was silent, gazing after the ship until it had vanished into the mist.
And when all the people were dispersed she still stood alone upon the sea-wall,
remembering in her heart his saying:
A little while, a moment of rest upon the wind, and another woman shall bear me.'
THE LURE AND ROMANCE OF ALCHEMY.
A history of the secret link between magic and science
1990
C. J. S.Thompson
Page# 31 / 32
note 1 Julius Ruska ,Tabula Smaragdini 1926
"THE EMERALD TABLE OF HERMES: "
"True it is, without falsehood certain most true.That which is
above is like to that which is below, and that which is below is like
to that which is above, to accomplish the miracles of one thing.
And as in all things whereby contemplation of one, so in all things
arose from this one thing by a single act of adoption.
The father thereof is the Sun the mother the Moon.
The wind carried it in its womb,the earth is the source thereof.
It is the father of all works throughout the world.
The power thereof is perfect.
If it be cast on to earth, it will separate the element of earth
from that of fire, the subtle from the gross.
With great sagacity it doth ascend gently from earth to heaven.
Again it doth descend to earth and uniteth in itself from
things superior and things inferior.
Thus thou wilt possess the brightness of the world, and all
obscurity will fly far from thee.
This thing is the strong fortitude of all strength, for it over-
cometh every subtle thing and doth penetrate every solid substance.
Thus was this world created.
Hence will there be marvellous adaptations achieved of which
the manner is this.
For this reason I am called Hermes Trismegistus because I hold
three parts of the wisdom of the whole world.
That which I had to say about the operation of Sol is completed."
Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ... www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html
Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces
The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive
I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
I need you
I love you
The game will never be over
Because we're keeping the dream alive
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
The game will never be over
Because we're keeping the dream alive
The game will never be over
Mmm mmm mmm mmm mmm mmm mmm mmm mmm.
I
SAY
IS THIS THE OTHER SIDE OF THE GREAT DIVIDE
?
NO ITS OVER THERE
I
HAVE JUST BEEN OVER THERE AND THEY SAID ITS OVER HERE
Did Spacemen Colonise the Earth?
Robin Collyns 1974
Page 206
"FINIS"
THE MAGIC MOUNTAIN
Thomas Mann 1924
THE THUNDERBOLT
Page 715
"There is our friend, there is Hans Castorp! We recognize him at a distance, by the little beard he assumed 'while sitting at the " bad" Russian table. Like all the others, he is wet through and glowing. He is running, his feet heavy with mould, the bayonet swinging in his, hand. Look! He treads on the hand of a fallen comrade; with his hobnailed boot he treads the hand deep into the slimy, branch-strewn ground. But it is he. What, singing? As one sings, unaware, staring stark ahead, yes, thus. he spends his hurrying breath, to sing half soundlessly:
"And loving words I've carven
Upon its branches fair-"
He stumbles, No, he has flung himself down, a hell-hound is coming howling, a huge explosive shell, a disgusting sugar-loaf from the infernal regions. He lies with his face in the cool mire, legs. sprawled out, feet twisted, heels turned down. The product of a perverted science, laden with death, slopes earthward thirty paces in front of him and buries its nose in the ground; explodes inside there, with hideous expense of power, and raises up a fountain high as a house, of mud, fire, iron, molten metal, scattered fragments of humanity. Where it fell, two youths had lain, friends who in their need flung themselves down together - now they are scattered, commingled and gone.
Shame of our shadow-safety! Away! No more!-But our friend? Was he hit? He thought so, for the moment. A great clod of earth struck him on the shin, it hurt, but he smiles at it. Up he gets, and staggers on, limping on his earth-bound feet, all unconsciously singing:
"Its waving branches whiispered
A message in my ear -"
and thus, in the tumult, in the rain, in the dusk, vanishes out of our sight.
Farewell, honest Hans Castorp, farewell, Life's delicate child!
Your tale is told. We have told it to the end, and it was neither short nor long, but hermetic. We have told it for its own sake, not for yours, for you were simple. But after all, it was your story, it befell you, you must have more in you than we thought; we will not disclaim the pedagogic weakness we conceived for / Page 716 / you in the telling; which could even lead us to press a finger delicately to our eyes at the thought that we shall see you no more, hear you no more for ever.
Farewell - and if thou livest or diest! Thy prospects are poor. The desperate dance, in which thy fortunes are caught up, will last yet many a sinful year; we should not care to set a high stake on thy life by the time it ends. We even confess that it is without great concern we leave the question open. Adventures of the flesh and in the spirit, while enhancing thy simplicity, granted thee to know in the spirit what in the flesh thou scarcely couldst have done. Moments there were, when out of death, and the rebellion of the flesh, there came to thee, as thou tookest stock of thyself, a dream of love. Out of this universal feast of death, out of this extremity of fever, kindling. the rain-washed evening sky to a fiery glow, may it be that Love one day shall mount?
FINIS OPERIS
1 |
- |
R |
= |
9 |
6 |
RE ATUM |
78 |
24 |
6 |
- |
1 |
2 |
- |
S |
= |
1 |
3 |
SHU |
48 |
12 |
3 |
- |
2 |
3 |
|
T |
= |
2 |
6 |
TEFNUT |
86 |
23 |
5 |
|
3 |
4 |
- |
G |
= |
7 |
3 |
GEB |
14 |
14 |
5 |
- |
4 |
5 |
- |
N |
= |
5 |
3 |
NUT |
55 |
10 |
1 |
- |
5 |
6 |
- |
O |
= |
6 |
6 |
OSIRIS |
89 |
35 |
8 |
- |
6 |
7 |
- |
I |
= |
9 |
4 |
ISIS |
56 |
20 |
2 |
- |
7 |
8 |
|
S |
= |
1 |
3 |
SET |
44 |
8 |
8 |
|
8 |
9 |
- |
N |
= |
5 |
8 |
NEPHTHYS |
115 |
43 |
7 |
- |
9 |
|
- |
- |
- |
45 |
42 |
First Total |
|
|
|
- |
|
4+5 |
- |
- |
- |
4+5 |
|
Add to Reduce |
5+8+5 |
1+8+9 |
4+5 |
- |
4+5 |
|
|
|
|
|
6 |
Second Total |
|
|
|
|
|
- |
- |
- |
- |
|
|
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
|
- |
- |
- |
9 |
6 |
Essence of Number |
|
|
|
- |
|
THE
LIVING GODS ENERGIES GODS LIVING
DIVINE THOUGHT THOUGHT DIVINE
THE
CREATORS
R LIGHT PERFECT CREATORS I ME I ME I CREATORS PERFECT LIGHT R
3 |
THE |
33 |
15 |
6 |
5 |
ENNEA |
39 |
21 |
3 |
|
Add to Reduce |
|
|
|
- |
Reduce to Deduce |
7+2 |
3+6 |
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
Y |
|
|
|
|
|
|
|
- |
- |
- |
|
8 |
|
|
|
|
|
9 |
|
|
|
|
|
1+7 |
|
|
|
|
- |
- |
|
8 |
|
|
|
|
|
9 |
|
|
|
|
|
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
Y |
|
|
|
|
|
|
|
- |
- |
- |
2 |
|
5 |
|
6 |
1 |
4 |
9 |
3 |
7 |
|
|
|
2+8 |
|
|
1+0 |
|
- |
- |
20 |
|
5 |
|
6 |
1 |
13 |
9 |
12 |
25 |
|
|
|
8+2 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
I |
|
Y |
|
|
|
|
|
|
|
- |
- |
- |
20 |
8 |
5 |
|
6 |
1 |
13 |
9 |
12 |
25 |
|
|
|
9+9 |
|
|
1+8 |
|
- |
- |
2 |
8 |
5 |
|
6 |
1 |
4 |
9 |
3 |
7 |
|
|
|
4+5 |
|
|
|
|
9 |
9 |
|
|
|
|
|
|
|
I |
|
Y |
|
|
|
|
|
|
|
- |
|
- |
- |
- |
- |
|
|
1 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
2 |
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
- |
|
|
|
|
|
3 |
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
- |
|
|
|
4 |
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
|
- |
- |
5 |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
- |
|
|
|
|
|
|
7 |
|
|
|
occurs |
x |
|
= |
|
|
|
- |
8 |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
- |
- |
|
|
|
|
9 |
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
I |
|
Y |
|
|
|
|
|
|
|
|
4+5 |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
|
4+5 |
|
|
|
|
|
|
|
|
|
I |
|
Y |
|
|
|
|
|
|
|
|
- |
- |
2 |
8 |
5 |
|
6 |
1 |
4 |
9 |
3 |
7 |
|
|
- |
|
|
|
|
- |
|
9 |
T |
H |
E |
|
|
|
|
I |
|
Y |
|
|
|
|
|
|
|
|